From the late 1950s until the 1980s, the German-born Venezuelan artist Gego (Gertrud Goldschmidt) made drawings, prints, three-dimensional works, hanging-net pieces (reticulareas), and wire constructions (drawings without paper) of extraordinary quality. Taken as a whole, these works illustrate the issue at the core of her production: the liberation of line from volume and form into space. Though little known outside Latin America, Gego's work enjoyed a dialogue with twentieth-century artists and movements active not only ...
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From the late 1950s until the 1980s, the German-born Venezuelan artist Gego (Gertrud Goldschmidt) made drawings, prints, three-dimensional works, hanging-net pieces (reticulareas), and wire constructions (drawings without paper) of extraordinary quality. Taken as a whole, these works illustrate the issue at the core of her production: the liberation of line from volume and form into space. Though little known outside Latin America, Gego's work enjoyed a dialogue with twentieth-century artists and movements active not only in Venezuela, but also worldwide. In a series of essays examining her art in relation to Modernism, Informalism, kinetic art, and other tendencies, this volume - the second in the MFAH International Center for the Arts of the Americas series - situates Gego in her international context.
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Seller's Description:
Near Fine. Book 193 pages 107 illustrations 35 in color. Minor soiling and wear to the paper covers and edges. Illustrated wraps. Edited by Mari Carmen Ramírez and Theresa Papanikolas. From the MFAH International Center for the Arts of the Americas (Series), no. 2. Text is in Spanish and English.
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New. 0890901198. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in English and Spanish. 194 pp. With 72 ills. (35 col. ). 22 x 14 cm. --with a bonus offer--
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