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Seller's Description:
Good. Good condition. Acceptable dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Seller's Description:
New. 0865546959. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-FLAWLESS COPY, BRAND NEW, PRISTINE, NEVER OPENED----IMPORTANT: Interior text is clean, tight, and Unmarked--212 pp, illustrated--Pages are intact and tight to the spine--Book Description: "This careful analysis of a millennium of Christian art outlines the path by which Christians reinterpreted the Hebrew Scriptures to prove they foretold the ascendancy of Christianity. Starting with a solid introduction to the origins of Christianity and the beginnings of Christian art in the catacombs of Rome, Claman skillfully demonstrates the development of the anti-Jewish message of Christian art. The study culminates with analyses of the majestic cathedral at Chartres, the public burning of the Talmud in Paris in 1248, and the expulsion of the Jews from France and England. With the third century frescoes in the catacombs of Rome, public art began to illustrate the doctrine of supersessionism. Christian marble sarcophagi, church mosaics, and statues, and brilliant Gothic stained glass showed how Christianity completely reinterpreted the Old Testament to indicate that it predicted and validated Christianity. " From the publisher--with a bonus offer--; 4to-over 9¾"-12" tall.
