The first time Frederic Leighton (1830-1896) showed a picture at the Royal Academy in London, Queen Victoria bought it. This eminent painter and sculptor went on to become president of the Royal Academy and was the fist artist to be made a lord. Now, one hundred years after his death, the Royal Academy is honoring him with a major retrospective exhibition, for which this book serves as the catalogue. Although his oeuvre runs the gamut of Victorian themes - landscapes, portraits, genre paintings, and classical subjects - ...
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The first time Frederic Leighton (1830-1896) showed a picture at the Royal Academy in London, Queen Victoria bought it. This eminent painter and sculptor went on to become president of the Royal Academy and was the fist artist to be made a lord. Now, one hundred years after his death, the Royal Academy is honoring him with a major retrospective exhibition, for which this book serves as the catalogue. Although his oeuvre runs the gamut of Victorian themes - landscapes, portraits, genre paintings, and classical subjects - Leighton is most renowned for his masterly figure paintings, which he infused with a pulsing sensuality. Leighton always put his own imprint on his work: his gorgeously costumed figures were painted with bravura and with a skill that bespoke his many years of training. His famous Flaming June, with its alluring subject barely clothed in a sheer apricot gown, is characteristic of his mature work - vibrant, sexy, and evocative. Leighton's life was as intriguing as his art. Born into a well-to-do English family, Leighton studied widely on the Continent, ceaselessly visiting museums and palaces. He traveled wherever great art was to be found: down the Nile, in Italy, in North Africa, in Syria. His work and his home reflected his taste for the exotic: Arabic tiles decorated his walls; gowns from Turkey and Syria clothed his models. Many surprising facets of this grand Victorian - including his friendship with the Brownings - emerge in the astute essays by leading experts on Leighton and his nineteenth-century European milieu.
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Seller's Description:
Used book in good and clean conditions. Pages and cover are intact. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks. Fast Shipping.
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Fine in Fine jacket. Folio. First edition. Hard cover in dust jacket. Published NY: Abrams, 1996, first printing. Folio, 10 1/4" x 12 1/8", 256pp., 222 illustrations, 128 plates in full color. Fine in mylar sleeved, fine dust jacket.
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Seller's Description:
Fine in Fine jacket. Boston, Massachusetts, U.S.A. : Harry N Abrams Inc, 1996. First edition in fine condition. Illustrated throughout in both color and in black and white. Deep blue cloth, color illustrated dustjacket. Looks and feels new and unread, no names or other markings, dustjacket in mylar protector. First Edition. Hard Cover. Fine/Fine. 4to-over 9¾"-12" tall.
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Seller's Description:
VG/VG-, book in very good condition, light wear to DJ edges. Black cloth, pictorial DJ. 256 pp. 222 bw and color plates. Major monograph that accompanies a major retrospective of Leighton's paintings. Published to accompany the exhibition held in London, England: Royal Academy of Arts, February 15 to April 21, 1996.