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Seller's Description:
John Singer Sargent. Very Good. 4to 171 color and 85 black and white illustration. Few creases back cover o.w. new unused unopened fresh tight clean bright strong. No markings.
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Seller's Description:
VG-. May have light wear to corners, soiling to page blocks, or owner's writing on first page. Glossy color-illustrated softcover with white lettering. 285 pp. Profusely illustrated in color and BW. "This catalogue is published to accompany the exhibition at Tate Gallery, London 15 Oct. 1998-17 Jan. 1999, and touring to National Gallery of Art, Washington 21 Feb. -31 May 1999; Museum of Fine Arts, Boston 23 June-26 Sept. 1999"--Title page verso.
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Seller's Description:
Very Good. Boston: Museum of Fine Arts, 1999. Well-illustrated exhibition catalogue with biographical sketch and critical commentary. Softcover, new and unused in the publisher's original unopened shrinkwrap. Soft Cover. Very Good. 4to-over 9¾"-12" tall.
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Seller's Description:
Sargent, John Singer. Very Good, Light Cover Soil. Frayed DJ. Oversized. 264pp Illus "Paintings....Drawings....Watercolors" Previous owners bookplate on inside of front cover.
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Seller's Description:
Textual illustrations. Some rubbing. A small ink mark to bottom page-edge. VG., dustwrapper. 30x23cm, 288 pp, In a rubbed, torn & chipped dustwrapper. "The remarkable portraits for which John Singer Sargent is most famous are only one aspect of a career that included landscapes, watercolors, figure subjects, and murals. Even within portraiture, his style ranged from bold experiments to studied formality. And the subjects of his paintings were as varied as his styles, including the leaders of fashionable society, rural laborers, city streets, remote mountains, and the front lines of World War I. This beautiful book surveys and evaluates the extraordinary range of Sargent's work, and reproduces 150 of his paintings in color. It accompanies a spectacular international exhibition-the first major retrospective of the artist's career since the memorial exhibitions that followed his death. Sargent (1856-1925) was a genuinely international figure. Born of American parents, he grew up in Europe and forged his early reputation in Paris. Later, he established himself in England and the United States as the leading portraitist of the day, and traveled widely in North Africa and the Middle East. Contributors to this book assess Sargent's career in three essays. Richard Ormond presents a biographical sketch and, in a second essay, reviews Sargent's development as an artist. Mary Crawford Volk explores his thirty-year involvement with painting murals-in particular the works at the Boston Public Library and the Boston Museum of Fine Arts that Sargent regarded as his greatest achievement...., . "-publisher's description.