The world of the troubadours of medieval Provence-of Bertran de Born, Arnaut de Mareuil, and Peire Bremon lo Tort-always fascinated Ezra Pound and, as Stuart McDougal shows, provided both themes and techniques for his early poetry. Pound's first translations of Proven�al poetry were a way of penetrating an alien sensibility and culture and making it his own; they were also important technical exercises. Confronted with the problem of finding a suitable form and language for the Provencal experience, he condensed, deleted, ...
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The world of the troubadours of medieval Provence-of Bertran de Born, Arnaut de Mareuil, and Peire Bremon lo Tort-always fascinated Ezra Pound and, as Stuart McDougal shows, provided both themes and techniques for his early poetry. Pound's first translations of Proven�al poetry were a way of penetrating an alien sensibility and culture and making it his own; they were also important technical exercises. Confronted with the problem of finding a suitable form and language for the Provencal experience, he condensed, deleted, expanded-the results were highly original works. Among Pound's early experiments were the studies of individual Provencal poets, each representing one of the qualities of Proven�al culture that attracted him-Bertran is the man of action and Vidal is an example of the close connection between man and the "vital universe." Implicit in Pound's treatment of the past is his belief in the contemporaneity of these medieval values. This belief remains constant in The Cantos, although as the work developed it became clear that no single cultural framework could encompass it. Nevertheless, the medieval world remained the cornerstone of Pound's paradise-a brilliantly unified, vibrant world against which he could contrast the chaos and sterility of contemporary civilization. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Add this copy of Ezra Pound and the Troubadour Tradition to cart. $29.13, fair condition, Sold by Anybook rated 5.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1974 by Princeton University Press.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 500grams, ISBN: 0691062366.
Add this copy of Ezra Pound and the Troubadour Tradition to cart. $19.11, very good condition, Sold by ThriftBooks-Baltimore rated 5.0 out of 5 stars, ships from Halethorpe, MD, UNITED STATES, published 1973 by Princeton University Press.
Add this copy of Ezra Pound and the Troubadour Tradition to cart. $27.00, very good condition, Sold by David H. Gerber Books rated 5.0 out of 5 stars, ships from Austin, TX, UNITED STATES, published 1972 by Princeton University Press.
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Very Good in Very Good jacket. 8vo-over 7¾"-9¾" tall. [xii], [161]pp [rubbing and edgewear to dj; old bookseller label on rear dj; light foxing/spotting to page edges and endpapers]
Add this copy of Ezra Pound and the Troubadour Tradition (Princeton to cart. $49.64, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1973 by Princeton University Press.
