The world of the troubadours of medieval Provence--of Bertran de Born, Arnaut de Mareuil, and Peire Bremon lo Tort--always fascinated Ezra Pound and, as Stuart McDougal shows, provided both themes and techniques for his early poetry. Pound's first translations of Provencal poetry were a way of penetrating an alien sensibility and culture and making it his own; they were also important technical exercises. Confronted with the problem of finding a suitable form and language for the Provencal experience, he condensed, deleted ...
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The world of the troubadours of medieval Provence--of Bertran de Born, Arnaut de Mareuil, and Peire Bremon lo Tort--always fascinated Ezra Pound and, as Stuart McDougal shows, provided both themes and techniques for his early poetry. Pound's first translations of Provencal poetry were a way of penetrating an alien sensibility and culture and making it his own; they were also important technical exercises. Confronted with the problem of finding a suitable form and language for the Provencal experience, he condensed, deleted, expanded--the results were highly original works. Among Pound's early experiments were the studies of individual Provencal poets, each representing one of the qualities of Provencal culture that attracted him--Bertran is the man of action and Vidal is an example of the close connection between man and the "vital universe." Implicit in Pound's treatment of the past is his belief in the contemporaneity of these medieval values. This belief remains constant in The Cantos, although as the work developed it became clear that no single cultural framework could encompass it. Nevertheless, the medieval world remained the cornerstone of Pound's paradise--a brilliantly unified, vibrant world against which he could contrast the chaos and sterility of contemporary civilization. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 500grams, ISBN: 0691062366.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 550grams, ISBN: 0691062366.
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Seller's Description:
New. Trade paperback (US). 174 p. Princeton Legacy Library . Intended for college/higher education audience. Intended for professional and scholarly audience.
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Seller's Description:
Near Fine in Very Good jacket. First edition. 159pp. Foxing on endpapers and page edges, spine mildly cocked, near fine in a very good dust jacket with spine sunned and modest internal foxing. Inscribed by Stuart McDougal to fellow author Daniel Hoffman on the front fly. Additionally, laid in is a typed aerogramme and an handwritten postcard both from Stuart to Daniel Hoffman.
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Seller's Description:
Fine. Books In Good Condition. May Have a Small Publisher Mark. Ship Via Fedex. Shipping Time 7 To 10 Days. Bookseller With Over 20 Years In Book Trade.
