At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. The book features masterworks by the best-known designers of the period, such as William ...
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At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together before.
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Seller's Description:
Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Used-Good. At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. As the most industrialized country, Britain was also the first to generate a movement to counter what was seen as the malevolent effects of mass production. Protagonists such as John Ruskin and William Morris championed 'joy in labor'--the moral and spiritual uplift that would come with the revival of making objects by hand. The improvement of working conditions, integration of art into everyday life, and an 'honest' aesthetic resulting from the use of indigenous materials and native traditions were also central to the movement's philosophy. At the end of the nineteenth century, these Arts and Crafts ideals were appropriated and adapted by the young avant-garde throughout Europe and the United States. With 260 objects--furniture, ceramics, metalwork, textiles, and works on paper--from Britain, Ireland, the United States, France, Belgium, Germany, Austria, Hungary, Scandinavia, and Finland, this is a visually stunning, definitive survey. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Gustave Stickley, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together. BEAUTIFUL COPY! ! ! wrapped in complimentary Brodart dust jacket protector...
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Like New in Like New jacket. First Edition, First Printing. Not price-clipped ($60.00 price intact). Published by Thames & Hudson, 2004. Quarto. Green cloth boards stamped in gold with teal endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with light shelf wear. 326 pages. ISBN: 9780500238158. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.
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Used-Like New. At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. As the most industrialized country, Britain was also the first to generate a movement to counter what was seen as the malevolent effects of mass production. Protagonists such as John Ruskin and William Morris championed 'joy in labor'--the moral and spiritual uplift that would come with the revival of making objects by hand. The improvement of working conditions, integration of art into everyday life, and an 'honest' aesthetic resulting from the use of indigenous materials and native traditions were also central to the movement's philosophy. At the end of the nineteenth century, these Arts and Crafts ideals were appropriated and adapted by the young avant-garde throughout Europe and the United States. With 260 objects--furniture, ceramics, metalwork, textiles, and works on paper--from Britain, Ireland, the United States, France, Belgium, Germany, Austria, Hungary, Scandinavia, and Finland, this is a visually stunning, definitive survey. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Gustave Stickley, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together.
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Seller's Description:
Used-Good. At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. As the most industrialized country, Britain was also the first to generate a movement to counter what was seen as the malevolent effects of mass production. Protagonists such as John Ruskin and William Morris championed 'joy in labor'--the moral and spiritual uplift that would come with the revival of making objects by hand. The improvement of working conditions, integration of art into everyday life, and an 'honest' aesthetic resulting from the use of indigenous materials and native traditions were also central to the movement's philosophy. At the end of the nineteenth century, these Arts and Crafts ideals were appropriated and adapted by the young avant-garde throughout Europe and the United States. With 260 objects--furniture, ceramics, metalwork, textiles, and works on paper--from Britain, Ireland, the United States, France, Belgium, Germany, Austria, Hungary, Scandinavia, and Finland, this is a visually stunning, definitive survey. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Gustave Stickley, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together. Wrapped in Brodart dust jacket protector. Slight scratching/scuffing on dust jacket. Book has minor shelf wear.
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Still in original publisher's shrink-wrap (partly-open at edges from storage on shelving). 9.5 x 10.5 in size. Hardcover with dustjacket. Unused Condition.
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New. 0500238154. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--328 pages, 314 illus. (256 in color), 4to. --with a bonus offer--
