The anguished, volatile intensity we associate with the artistic temperament has often been thought to have much in common with the experience of manic-depressive illness, both characterized by despairing low and exalting highs. Dr Jamison draws on her work as a psychiatrist to artists and writers, in addition to what we know about the lives of Van Gogh, Schubert, Byron and Virginia Woolf among others, to explore the literary, biographical and scientific evidence for the connection between manic-depressive illness and ...
Read More
The anguished, volatile intensity we associate with the artistic temperament has often been thought to have much in common with the experience of manic-depressive illness, both characterized by despairing low and exalting highs. Dr Jamison draws on her work as a psychiatrist to artists and writers, in addition to what we know about the lives of Van Gogh, Schubert, Byron and Virginia Woolf among others, to explore the literary, biographical and scientific evidence for the connection between manic-depressive illness and artistic activity. She also examines the cultural implications of this perceived connection between artistic temperament and mood disorders. She advocates a restrained, humanistic approach to the treatment of manic-depressive illness which seeks to preserve the artistic energy that is often its concomitant. Kay Redfield Jamison is the co-author Frederick K. Goodwin of "Manic-Depressive Illness". She has won the John F. Kennedy Scholarship, UCLA Graduate Woman of the Year and UCLA Woman of Science. She produced and wrote "Moods and Music", which won the 1990 American Psychiatric Association's Robinson Award for Best National Television Program.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Book is in good condition and may contain underlining or highlighting and minimal wear. The book can also include library labels. May not contain miscellaneous items toys dvds etc. We offer 100% money back guarantee and fast customer support.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Near fine in near fine jacket. Cloth backed boards in dust jacket, near fine copy, just a touch of wear. Full number line to "1." Classic of the subject. 370 pp.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. 0029160308. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--370 pages. --with a bonus offer--
Kay Jamison'd thesis is an interesting one, especially to a writer and poet like myself who is diagnosed with a form of 'rapid cycling bipolar disorder.'
A lot of what Jamison posits is interesting and will definitely enlighten many a reader, but my one issue is the reductionist method of retro-diagnosis.
When dealing with an artist like Jackson Pollack, who was a contemporary twentieth century artist and who was actually diagnosed as manic-depressive is fine, he recieved a diagnosis (whether accurate or not it does not matter), but when going back several centuries to composers like Robert Schumann who committed suicide, or Lord Byron who led a life of misery and debauchery while creating some of England's greatest verses, I don't think you can automatically assign a diagnosis of bipolar disorder or manic depression.
Vincent van Gogh has been retro diagnosed as having temporal lobe epilepsy by one psycho-historian, another posits that van Gogh was manic-depressive, while in van Gogh's own time he was diagnosed with absinthism.
Overall Jamison's 'Touched by Fire' is an intelligently written book with many biographical details that illumine the various writings and compositions of the artists dealt with, my only grievance is that great art cannot-and ought not-be reduced to a specific form of psychopathology.
Esmar
Jan 13, 2011
Very helpfull
It was very interested to read the book. A good help for me. I recommend this to all with BP, at least
riverrun
May 8, 2009
The Fire and Abyss
In Touched with Fire, Kay Redfield Jamison combines clinical expertise about bipolar disorder with persuasive evidence of the numerous writers and artists who have suffered from that disorder.
Without romanticizing manic depressive illness, she does show the linkages between its severe highs and lows, and the creative productivity that can sometimes occur. In fact, she raises the moral question of whether the eradication of the illness would reduce the possibility of art and literature being produced by the likes of Lord Byron, Van Gogh, Robert Lowell and others.
If anything, Jamison's "case histories" of writers are so copious as to overwhelm the less casual reader--who, perhaps, is intimate with someone who has bipolar illness--and her assertion that the risk of suicide for those who are shuttling between manias and depression isn't comforting.
Still, Touched with Fire will be of interest to clinicians and general readers alike, or anyone who has had some experience with the fire and abyss of bipolar disorder.
Francesca
Mar 5, 2008
Fascinating
Kay Jamison writes from within the experience of Manic Depressive Illness, which makes particularly interesting her study of highly gifted artists whose achievements may well have been molded in the crucible of that illness. Her scientific exposition is convincing, and her conclusions solid and well balanced. What she is not saying is as important as what she does say. She is not saying that one has to be ill to produce great art, nor that all great writers, artist, poets and playwrights have been mentally ill. What she does present is a picture of a disproportionate number of creative persons who have displayed definite symptoms of mental illness, and a description of how the ups and downs of that illness may have influenced the development of gifts already present. The presentation is truly fascinating, especially since Manic Depressive Illness has a genetic basis, and Dr Jamison traces family patterns of disease in the cases of several great artists. I wondered about a category of artists she has not studied--great actors. Perhaps that is to come, since this form of art might prove to be the most intimately invasiveof the human personality.