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Seller's Description:
Fine in Fine jacket. Qto Qto., xxii, 243 pages of text followed by the plates containing 337 illustrations, and 17 colour plates. The catalogue raisonne of all known works. A Fine copy in a Fine dust jacket.
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Seller's Description:
May have some shelf-wear due to normal use. Your purchase funds free job training and education in the greater Seattle area. Thank you for supporting Goodwill's nonprofit mission!
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Seller's Description:
Very good+ in Very good+ jacket. Maroon cloth boards in dust jacket, quarto [9" x 11.25"], illustrated in color and b&w. Book has mild rubbing to boards, binding tight, text clean and unmarked, with faint foxing to edges of block. DJ gently rubbed and shelfworn.
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Seller's Description:
Lorenzo Monaco. Fine in very good(+) jacket. Illustrated with 337 b/w images and 17 color plates. 436 pages. 4to, red cloth, d.w. Princeton: Princeton University Press, (1989). A fine copy in a very good(+) wrapper, one long closed tear at head.
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Seller's Description:
As New. 0691040427. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--243 pages; well-illustrated including 16 plates in color. [Catalogue Raisonne, Catalog Raisonné, Complete Works, Life and Work, Raisonnee]--with a bonus offer---May be EITHER: out of print (OOP) and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; (inquire for details)
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Seller's Description:
VG-/VG (library stamp on upper block edge, library label on front flyleaf, corners slightly bumped but otherwise interior is very good. ) Maroon cloth with gilt lettering on spine, maroon dust jacket with bw illustration and gilt lettering, mylar cover, xxii, 243 pp. [187] pp of plates. The study of Lorenzo Monaco, the Camaldolese monk who was the preeminent Florentine painter during two decades before the advent of Masaccio and Fra Angelico. His earliest panels and miniatures, of the 1390s, reflect various stylistic trends in later fourteenth-century Florentine painting and sculpture; in his maturity he assimilated elements of the International Style into an essentially Tuscan idiom; the final works, from the early 1420s, convey a degree of recognitiion of the emergent Renaissance.
