This landmark book offers a radical reinterpretation of the innovative art of the late 1950s and 1960s. Examining the work of major artists of the periodincluding Mark Rothko, Piero Manzoni, Agnes Martin, Dan Flavin, Eva Hesse, Blinky Palermo, and Louise BourgeoisBriony Fer focuses on the overriding tendency toward repetition and seriality that occurred at the moment of modernism s decline, gained ground in its aftermath, and continues to shape much of the art seen today. Although seriality is mainly associated with ...
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This landmark book offers a radical reinterpretation of the innovative art of the late 1950s and 1960s. Examining the work of major artists of the periodincluding Mark Rothko, Piero Manzoni, Agnes Martin, Dan Flavin, Eva Hesse, Blinky Palermo, and Louise BourgeoisBriony Fer focuses on the overriding tendency toward repetition and seriality that occurred at the moment of modernism s decline, gained ground in its aftermath, and continues to shape much of the art seen today. Although seriality is mainly associated with American artists and with Minimalism, Fer broadens our understanding of it, looking at Minimalist seriality as one crucially important strategy among several. She argues that repetition becomes generative of new modes and habits of making and looking; at stake is how we think about the artwork in relation to both temporality and subjectivity. Paying close attention to specific artworks, this timely critical reassessment offers a fresh perspective on a wide range of familiar and less familiar art. "
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Seller's Description:
HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
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Seller's Description:
Near Fine in Near Fine jacket. Book 221 pages 134 illustrations 97 in color. Text in English. Hardcover, bound in black cloth covered boards and wrapped in an illustrated paper dustjacket. Tight binding, sharp edges and corners of the boards, and a clean, unmarked interior. There is some wear to teh dustjacket. A well written and radical examination and reinterpretation of the art of the late 1950s-60s, including works by Mark Rothko, Eva Hesse, Mel Bochner, Piero Manzoni, Yayoi Kusama, Agnes Martin, and many others.
