Come laid out the framework of their rough-edged merger of indie rock and electric blues on their fine 1992 debut Eleven: Eleven, but two years together made a significant difference in the texture and velocity of their attack, and 1994's Don't Ask Don't Tell is arguably the group's best album. The give-and-take between Thalia Zedek's and Chris Brokaw's guitars had become remarkably intricate given the hard roar and crash they generated, and they brought some truly eloquent noise to the ten songs on board. As a vocalist, ...
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Come laid out the framework of their rough-edged merger of indie rock and electric blues on their fine 1992 debut Eleven: Eleven, but two years together made a significant difference in the texture and velocity of their attack, and 1994's Don't Ask Don't Tell is arguably the group's best album. The give-and-take between Thalia Zedek's and Chris Brokaw's guitars had become remarkably intricate given the hard roar and crash they generated, and they brought some truly eloquent noise to the ten songs on board. As a vocalist, Zedek is that rare performer who can howl with a real sense of dynamics, and even if fury is her default setting for these sessions, she could express fear, frustration, and sorrow just as clearly as rage. Bassist Sean O'Brien and drummer Arthur Johnson are equally adept in their musical push-and-pull, hitting the songs with plenty of muscle and an understanding of the value of open space and time. The title Don't Ask Don't Tell came from the hypocritical policy instituted by the United States military regarding LGBTQ+ persons serving their country, which was instituted a year before the album came out. Zedek, an out and proud lesbian, was suitably outraged by her nation's disrespect toward her and her people, and while it wasn't her nature to write broadsides, the anger and sense of betrayal at being an outsider in your own land provide the subtext to these lyrics. There's little in the way of succor to be found in these songs, and yet Zedek communicates a defiance that's deeply personal and informed by larger issues at the same time. Come were also clearly interested in making music that would speak to and for people who feel marginalized in a great many ways, not merely because of their sexuality, and for all its darkness, the smart, heartfelt "no" to an oppressive culture that lies at the heart of this music is inspiring and a show of strength. Don't Ask Don't Tell is great noisy rock & roll, and while that's more than enough, there's even more if you care to look for it. ~ Mark Deming, Rovi
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