Bettie Serveert's charm, as established from the get-go on their debut album, wasn't any kind of new radicalism but the members' way around well-known rock styles to unexpected effect. Everything from third album Velvet Underground and Neil Young's furious electric heights to the Wedding Present's bruised romanticism (the production especially calls to mind some of Steve Albini's work for that band) has an echo here. What makes it all connect isn't simply the considerable abilities of the group, especially guitarists Visser ...
Read More
Bettie Serveert's charm, as established from the get-go on their debut album, wasn't any kind of new radicalism but the members' way around well-known rock styles to unexpected effect. Everything from third album Velvet Underground and Neil Young's furious electric heights to the Wedding Present's bruised romanticism (the production especially calls to mind some of Steve Albini's work for that band) has an echo here. What makes it all connect isn't simply the considerable abilities of the group, especially guitarists Visser and van Dijk, but van Dijk's strong singing and lyrics both. Combining both a low-key sass and a slightly distanced, concerned tone, her voice cuts directly through the arrangements, the most upfront thing in the mix. Comparisons aren't easy to make; early Chrissie Hynde makes a certain amount of sense, but van Dijk is no clone. As for her subject matter, small details of everyday life, especially concerns of identity and dealing with others, form the basis of her sharp, sometimes painfully close to the heart images. "Brain-Tag," with her plaintive refrain "Have I ever laid my hands on you before?" and "Healthy Sick" are two of the standouts on that level. When she stops to let the music fully take over, the transition is often perfect -- "Kid's Allright" is a good example, the instrumental breaks carrying the forceful feel of the words into the nonverbal. "Tom Boy," the surprise U.S. minor radio hit from the album, shows the quartet's mix of skills quite nicely. A mid-paced but lovely number with a descending chord riff à la T. Rex (if not as glammy otherwise) and van Dijk's multi-tracked vocals claiming the term for herself, "because only a tom boy could rise above it," make Palomine a quietly addictive number from this fine album. ~ Ned Raggett, Rovi
Read Less
Add this copy of Palomine to cart. $7.73, very good condition, Sold by HPB-Movies rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1998 by Matador Records.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Add this copy of Palomine to cart. $7.75, fair condition, Sold by Seattle Goodwill rated 5.0 out of 5 stars, ships from Seattle, WA, UNITED STATES, published 1993 by Matador.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fair. All our items include the original disc(s) in the original case. Your purchase funds free job training and education in the greater Seattle area. Thank you for supporting Goodwill's nonprofit mission!
Add this copy of Palomine to cart. $9.25, very good condition, Sold by Salzer's Records rated 5.0 out of 5 stars, ships from ventura, CA, UNITED STATES, published 1998 by Matador Records.
