Trio Kairos' 2004 debut on Musicaphon is a rewarding survey of piano trios composed in the 1920s by a handful of important composers on the brink of discovering their true voices. Much of this early modernist music exhibits the mordant wit, ironic tone, and staunch anti-Romanticism of the postwar generation, yet also displays feelings of uncertainty and searching. To varying degrees, these characteristics are embodied in Dmitry Shostakovich's brittle and Trio No. 1 in C minor, Op. 8 (1923), Frank Martin's bracing Trio on ...
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Trio Kairos' 2004 debut on Musicaphon is a rewarding survey of piano trios composed in the 1920s by a handful of important composers on the brink of discovering their true voices. Much of this early modernist music exhibits the mordant wit, ironic tone, and staunch anti-Romanticism of the postwar generation, yet also displays feelings of uncertainty and searching. To varying degrees, these characteristics are embodied in Dmitry Shostakovich's brittle and Trio No. 1 in C minor, Op. 8 (1923), Frank Martin's bracing Trio on Popular Irish Folk Tunes (1925), Ernest Bloch's hauntingly evocative Three Nocturnes for piano trio (1924), and Aaron Copland's brooding Vitebsk -- Study on a Jewish Theme (1929). On a different tack, Gaspar Cassaḍ's bright Piano Trio in C major (1926) reflects the strong folklorist influence that emerged in Spanish music of the decade. Violinist Solveigh Rose, cellist Bettina Barbara Bertsch, and pianist Christiane Behn have not only put together a refreshing and fascinating program...
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