There are so many excellent recordings of Messiah that the addition of another only further complicates the decision for the listener, but having such an abundance of riches should be no cause for complaint. Hyperion's recording with Stephen Layton leading the choir Polyphony and the Britten Sinfonia is not among the flashiest or most star-studded, but it is immensely musically satisfying. Layton takes something of a middle ground in terms of performance practice; the Britten Sinfonia uses modern instruments, but its ...
Read More
There are so many excellent recordings of Messiah that the addition of another only further complicates the decision for the listener, but having such an abundance of riches should be no cause for complaint. Hyperion's recording with Stephen Layton leading the choir Polyphony and the Britten Sinfonia is not among the flashiest or most star-studded, but it is immensely musically satisfying. Layton takes something of a middle ground in terms of performance practice; the Britten Sinfonia uses modern instruments, but its players are attuned to the subtleties of Baroque performance, as are the members of Polyphony, a chamber choir with about 30 singers. The small size of the ensembles is an antidote to the bloated numbers that have characterized many performances of the piece, and most importantly, makes possible the agility required to cleanly execute Handel's virtuoso choral writing when the appropriately lively temps are taken. The choir's clarity and precision in movements like "His yoke is easy," whose...
Read Less