While Johannes Somary's 1970 Vanguard recording of Handel's Messiah provides an early example of authentic period re-creation -- it is a complete performance of the 1966 Watkins Shaw edition, with pared-down choral and orchestral forces, appropriate ornamentation, and a continuo alternating between harpsichord and organ -- it sounds a little stilted and awkward by contemporary standards. The rhythms have more than enough snap, and Somary's tempos are respectably brisk, but the Amor Artis Chorale and the English Chamber ...
Read More
While Johannes Somary's 1970 Vanguard recording of Handel's Messiah provides an early example of authentic period re-creation -- it is a complete performance of the 1966 Watkins Shaw edition, with pared-down choral and orchestral forces, appropriate ornamentation, and a continuo alternating between harpsichord and organ -- it sounds a little stilted and awkward by contemporary standards. The rhythms have more than enough snap, and Somary's tempos are respectably brisk, but the Amor Artis Chorale and the English Chamber Orchestra seem a bit stiff in what was for the time a new way of playing Baroque music, and some uncertainty is detectable in the solo singing. Tenor Alexander Young and bass Justino Diaz both attempt some decorative improvisation in their arias, but their discomfort is apparent in their dubious intonation; while soprano Margaret Price and contralto Yvonne Minton are better with hitting the right pitches, they are nonetheless a little unclear in their embellishments. Even so, this is a...
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. Size: 5x5x1; All orders professionally packed and shipped from the USA within 24 hours. Multilingual, friendly, and intelligent customer service!
