Marc-André Hamelin's selections for this CD comprise a well-balanced recital program, yet the most substantial works are the two piano sonatas by Rachmaninov and Chopin; one may leave aside the ferociously virtuosic Rudepoêma by Villa-Lobos and Schulz-Evler's flashy Arabesques on Themes by Johann Strauss as entertaining but less important works. Initially, the listener may be drawn to compare the sonatas because of their shared key and numeration, but these are only the most obvious links, for the connections between the ...
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Marc-André Hamelin's selections for this CD comprise a well-balanced recital program, yet the most substantial works are the two piano sonatas by Rachmaninov and Chopin; one may leave aside the ferociously virtuosic Rudepoêma by Villa-Lobos and Schulz-Evler's flashy Arabesques on Themes by Johann Strauss as entertaining but less important works. Initially, the listener may be drawn to compare the sonatas because of their shared key and numeration, but these are only the most obvious links, for the connections between the works are significant and deep. Rachmaninov's long study of Chopin's Sonata No. 2 in B flat minor inspired the dark coloration, death-obsession, and agitation of his own work; and, by his admission, it led him later to revise his own Sonata No. 2 in B flat minor, to bring it the clarity and economy he found in Chopin's model. In the revised version heard here, there are several points where echoes of Chopin's gestures, textures, and contrasts may be detected, and further investigations...
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