Imagine a museum in which the portrait of Carlotta Valdes, an important prop in Alfred Hitchcock's Vertigo , hangs on a wall next to the painted portrait of the title character of Otto Preminger's Laura , opposite the portraits of the desired or murdered women in Fritz Lang's Scarlet Street , George Cukor's Gaslight and Nicholas Ray's Born to Be Bad . In an adjacent gallery, the visitor of this imaginary museum can contemplate the portraits of patriarchs that feature in films such as House of Strangers , Suspicion , ...
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Imagine a museum in which the portrait of Carlotta Valdes, an important prop in Alfred Hitchcock's Vertigo , hangs on a wall next to the painted portrait of the title character of Otto Preminger's Laura , opposite the portraits of the desired or murdered women in Fritz Lang's Scarlet Street , George Cukor's Gaslight and Nicholas Ray's Born to Be Bad . In an adjacent gallery, the visitor of this imaginary museum can contemplate the portraits of patriarchs that feature in films such as House of Strangers , Suspicion , Gilda and Strangers on a Train . This is precisely the concept of this book. The Dark Galleries looks at American (and some British) films of the 1940s and 1950s, in which a painted portrait plays an important part in the plot. Presented as a guide to an imaginary museum, this book includes more than 80 entries on the artistic and cinematic aspects of these portraits.
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Seller's Description:
Signed by Steven Jacobs on the title page in 2016. Second Edition. Very Good-Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark-NICE Standard-sized.
