To the Lighthouse is a 1927 novel by Virginia Woolf. The novel centres on the Ramsay family and their visits to the Isle of Skye in Scotland between 1910 and 1920. The novel recalls childhood emotions and highlights adult relationships. Among the book's many tropes and themes are those of loss, subjectivity, the nature of art and the problem of perception. In 1998, the Modern Library named To the Lighthouse No. Ramsay bring their eight children to their summer home in the Hebrides (a group of islands west of Scotland). ...
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To the Lighthouse is a 1927 novel by Virginia Woolf. The novel centres on the Ramsay family and their visits to the Isle of Skye in Scotland between 1910 and 1920. The novel recalls childhood emotions and highlights adult relationships. Among the book's many tropes and themes are those of loss, subjectivity, the nature of art and the problem of perception. In 1998, the Modern Library named To the Lighthouse No. Ramsay bring their eight children to their summer home in the Hebrides (a group of islands west of Scotland). Across the bay from their house stands a large lighthouse. Six-year-old James Ramsay wants desperately to go to the lighthouse, and Mrs. Ramsay tells him that they will go the next day if the weather permits.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
"To The Lighthouse is sublime." You simply must read it if you haven't read it yet. If you've read it, read it again and again and again..
rejoyce
Aug 23, 2007
Sea-Change
"While staying with the Ramsay family on St. Ives, painter Lily Briscoe looks up from the canvas to the garden: "And as she lost consciousness of outer things, and her name and her personality and her appearance. . .her mind kept throwing up from its depths, scenes, and names, and sayings, and memories and ideas, like a fountain spurting over that. . .white space, while she modelled it with greens and blues."
And with this, Virginia Woolf reverses the conceptions of the 19th century English novel by dismantling the scaffolding of exterior events--at times events like Mrs. Ramsay's death and World War I seem almost parenthetical--that serve only as mere occasions to release the inner processes and movements of her characters' minds, to introduce speculation and doubt in the narrative voice even about the opaqueness of those characters where once the (usually male) narrator was omniscient and godlike in its authority, and to replicate what Toni Morrison called "the fluidity of female intelligence." The author concentrates largely upon "moments of being," since life consists of "little separate incidents which one lived one by one."
Consider director Robert Altman's fluid camera work in a film like "McCabe and Mrs. Miller" hovering, flitting and alighting upon his ensemble of characters, then consider a disembodied narrator who with subtlety discloses the characters' interior lives, particularly women characters like Mrs. Ramsay and Lily Briscoe, and you have some notion of Woolf's revolutionary technique. In the process, she explores themes of female submission and masculine certitude and misogyny, chaos and art's order, time and memory and mortality, the fragmentation of the unitary consciousness.
Yet in the Ramsays' family journey to the lighthouse, the reader too undergoes a sea-change, an immersion in perception and consciousness, a musical orchestration of voices. In the end, Lily Briscoe thinks, "I have had my vision"; her vision, like Woolf's novel, becomes that vision of wholeness that each character desires. An indispensable reading experience."