Playful and experimental, James Joyce's autobiographical A Portrait of the Artist as a Young Man is a vivid portrayal of emotional and intellectual development. This Penguin Modern Classics edition is edited with an introduction and notes by Seamus Deane. The portrayal of Stephen Dedalus's Dublin childhood and youth, his quest for identity through art and his gradual emancipation from the claims of family, religion and Ireland itself, is also an oblique self-portrait of the young James Joyce and a universal testament to the ...
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Playful and experimental, James Joyce's autobiographical A Portrait of the Artist as a Young Man is a vivid portrayal of emotional and intellectual development. This Penguin Modern Classics edition is edited with an introduction and notes by Seamus Deane. The portrayal of Stephen Dedalus's Dublin childhood and youth, his quest for identity through art and his gradual emancipation from the claims of family, religion and Ireland itself, is also an oblique self-portrait of the young James Joyce and a universal testament to the artist's 'eternal imagination'. Both an insight into Joyce's life and childhood, and a unique work of modernist fiction, A Portrait of the Artist as a Young Man is a novel of sexual awakening, religious rebellion and the essential search for voice and meaning that every nascent artist must face in order to fully come into themselves. James Joyce (1882-1941), the eldest of ten children, was born in Dublin, but exiled himself to Paris at twenty as a rebellion against his upbringing. He only returned to Ireland briefly from the continent but Dublin was at heart of his greatest works, Ulysses and Finnegans Wake. He lived in poverty until the last ten years of his life and was plagued by near blindness and the grief of his daughter's mental illness. If you enjoyed A Portrait of the Artist as a Young Man, you might like Joyce's Dubliners, also available in Penguin Modern Classics. 'There is nothing more vivid or beautiful in all Joyce's writing. It has the searing clarity of truth ... but is rich with myth and symbol' Sunday Times 'James Joyce was and remains almost unique among novelists in that he published nothing but masterpieces' The Times Literary Supplement
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Fair. NOT an ex-library book. Clean copy in good condition. Some fading of cover; yellowing along margins. Text remains clear and legible. Quick dispatch from UK seller.
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Fair in fair dust jacket. Outline: -Please note there is light foxing to some pages >>This novel by James Joyce shocked contemporary readers on its publication in 1916. The book`s treatment of the minutiae of daily life was found indecorous and its central character unappealing. Was it art or was it filth? The novel charts the intellectual moral and sexual development of Stephen Dedalus from his childhood listening to his father`s stories through his schooldays and adolescence to the brink of adulthood and independence and his awakening as an artist. Growing up in a Catholic family in Dublin in the final years of the 19th century Stephen`s consciousness is forged by Irish history and politics by Catholicism and culture language and art. The story of Stephen mirrors that of Joyce himself. -> the publisher of this PAPERBACK book is Wordsworth Editions The date of this copy is 1993 booksalvation have grade it as Acceptable and it will be shipped from our UK warehouse This book is from the Series. Shipping is Free for UK buyers and at a reasonable charge for buyer outside the UK.
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Very Good. 12mo-over 6¾"-7¾" tall. Reprint in soft cover format in the Wordsworth Classics series, 12mo, 238pp, introduction and notes Dr Jacqueline Belanger, card covers; VG/VG+ Copy.
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Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.
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Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Aged book. Tanned pages and age spots, however, this will not interfere with reading.
James Joyce's autobiographical Portrait of the Artist as a Young Man famously begins, "Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was down along the road met a nicens little boy named baby tuckoo. . ." It concludes with the protagonist Stephen Dedalus's journal entry: "Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race."
Between the opening of the bedtime tale recited in the father's voice and Dedalus's adult voice, Joyce effected a revolution in the structure of the novel. Enough has been said about the author's use of interior monologue, multivocal narratives, and stream-of-consciousness technique. What Joyce does so remarkably well is to inhabit Dedalus' mind so that the reader follows his inward journey through childhood, adolescence and early adulthood.
In the process, we have felt sensations of beauty and repulsion, meditations on the colonization of language, allusions to the Irish troubles, a pervasive sense of Catholic sin and damnation, and (like Joyce) Dedalus's growing opposition to the institutions of family, church, and state. The salutation that ends the novel is also a farewell to Irish repression, an assertion of titanic conviction and ambition (which would be fully realized in Joyce's masterpiece Ulysses), and a salute to the European continent's artistic freedom.
The novel contains passages of unsurpassed beauty. Here is a random example: "The chapel was flooded by the dull scarlet light that filtered through the lowered blinds; and through the fissure between the last blind and the sash a shaft of wan light entered like a spear and touched the embossed brasses of the candlesticks upon the altar that gleamed like the batle-worn armour of angels."
Apart from Joyce's obvious influence on novelists like Faulkner, Wolfe, Dos Passos and so on (but not Woolf), it should be said that the felt experience of reading Portrait of the Artist doesn't compare to many other novels. One has the sense that he or she is privileged to share the inner life of a bright, uncannily sensitive character. Dedalus (and Joyce) used the word epiphany to describe an augur or sign of the spirit in ordinary life. Be prepared to register a series of epiphanies when you read Portrait.
AnnieLou
Apr 24, 2007
A study in Introspection
James Joyce tells a poignant story of his experiences in Jesuit run academy for boys in Dublin. His description of his home life, with many siblings, a financially insecure wage earner, and new deprivations set the stage for a young man entering a catholic academy. How he relates to his peers and Jesuit instructors,and his reactions to a strict catholic environment forms the earliest part of the book. His eventual "fall from grace", and how he deals with his sexual nature and guilt becomes the main discussion through his inner reflections, and eventual reconciliation with his faith. Nearing the end of the book however, conflicts arise in his beliefs, and he is challenged to find new directions for himself. I found the book to be a serious text of the self awareness of a young man, entering his maturity with many unanswered questions. I recommend it to those with a philosophical bent, and interest in human motivation.
