In the century since its publication in 1904, Nostromo has taken its place among Conrad's masterpieces as a panoramic novel of revolution and a profound meditation on history and the effects of "material interests" on human destiny. The eight new essays brought together in this volume examine the novel from various perspectives: as an epic, as a study in colonialism and the problem of "homecoming," as an exploration of free will and determinism, as a textual artefact, and as a reflection upon earlier works of European ...
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In the century since its publication in 1904, Nostromo has taken its place among Conrad's masterpieces as a panoramic novel of revolution and a profound meditation on history and the effects of "material interests" on human destiny. The eight new essays brought together in this volume examine the novel from various perspectives: as an epic, as a study in colonialism and the problem of "homecoming," as an exploration of free will and determinism, as a textual artefact, and as a reflection upon earlier works of European literature by Coleridge, Pushkin, and others.
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