'Picasso 347' is a comprehensive exhibition catalogue featuring Picasso's entire Suite 347. It includes Tone Skedsmo's original essay from 1981 as well as an introduction by the curator of the exhibition, Karin Hellandsj�. "The series takes its name from the prodigious output of 347 prints completed between 16 March and 5 October 1968. They were made in collaboration with the master printers Aldo and Piero Crommelynck at their studio at Mougins, in the South of France. A set was exhibited in October 1968 at the Art ...
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'Picasso 347' is a comprehensive exhibition catalogue featuring Picasso's entire Suite 347. It includes Tone Skedsmo's original essay from 1981 as well as an introduction by the curator of the exhibition, Karin Hellandsj�. "The series takes its name from the prodigious output of 347 prints completed between 16 March and 5 October 1968. They were made in collaboration with the master printers Aldo and Piero Crommelynck at their studio at Mougins, in the South of France. A set was exhibited in October 1968 at the Art Institute of Chicago and at the Galerie Louise Leiris in Paris two months later [...] Printmaking played an important role in Picasso's art after 1963. He combined existing techniques and invented new ones in a fertile collaboration with the Crommelyncks, with whom he also made the 156 series of 1968-72 [...]
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