Rainer Werner Fassbinder's fourteen-part Berlin Alexanderplatz , broadcast on German television in 1980, is a pivotal work in the artist's oeuvre. The 1929 novel by Alfred D�blin, a subproletarian apocalypse set in the Weimar Republic, provided Fassbinder with material to historicize the avant-garde of the 1920s and redetermine the relationship between utopianism and popular address. While D�blin created his protagonist to be a hysteric, Fassbinder wanted to hystericize the viewer. In this work, along with others from ...
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Rainer Werner Fassbinder's fourteen-part Berlin Alexanderplatz , broadcast on German television in 1980, is a pivotal work in the artist's oeuvre. The 1929 novel by Alfred D�blin, a subproletarian apocalypse set in the Weimar Republic, provided Fassbinder with material to historicize the avant-garde of the 1920s and redetermine the relationship between utopianism and popular address. While D�blin created his protagonist to be a hysteric, Fassbinder wanted to hystericize the viewer. In this work, along with others from the same period, Fassbinder established a Jewish-German mirror rotating on the axis of the Holocaust. In Hystericizing Germany , Manfred Hermes provides an excursive analysis of the potential of narration within the paradoxes of cinematic representation, with Fassbinder's miniseries forming both beginning and end point.
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