Everything narrative in the work of Swiss painter Pia Fries is eliminated so that she can concetrate on her central preoccupation, color. In her process, this former student of Gerhard Richter uses a variety of working methods: she rolls, drops, kneads, drips, and layers masses of color, creating a combination of color and texture that is remarkable compelling.
Read More
Everything narrative in the work of Swiss painter Pia Fries is eliminated so that she can concetrate on her central preoccupation, color. In her process, this former student of Gerhard Richter uses a variety of working methods: she rolls, drops, kneads, drips, and layers masses of color, creating a combination of color and texture that is remarkable compelling.
Read Less