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Seller's Description:
New. 3775714642. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in English. 160 pp. With 89 ills. (78 col. ). 27 x 23 cm. --with a bonus offer--
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Seller's Description:
Fine Condition in Fine Condition jacket. Book 160 pages. Hardcover exhibition catalogue, bound in white paper covered boards and wrapped in an illustrated paper dustjacket. English language edition. Faint shelfwear and associated rubbing to the covers. Else, the binding is tight and solid, the dustjacket bright and unblemished, the edges and corners of the boards are sharp, and the interior is clean and unmarked. Published on the occasion of the exhibition in Basel from May 15-August 24, 2004.
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Seller's Description:
Near Fine in Near Fine jacket. Book 160 pages. Hardcover exhibition catalogue, bound in white paper covered boards and wrapped in an illustrated paper dustjacket. English language edition. Minor rubbing and wear to the cover and edgs. The binding is tight and solid, the dustjacket bright and unblemished, the edges and corners of the boards are sharp, and the interior is clean and unmarked. Published on the occasion of the exhibition in Basel from May 15-August 24, 2004.
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Seller's Description:
VG/VG (boards have light scratches & light fine foxing. corners creased w/ creasing to spine edges. dustjacket has light wear; few instances of light rubbed edge-wear; light rubbing to corners; foxing to upper edge of back flap) White boards w/ green printing. 153 pgs w/ primarily color illustrations. green pictorial dustjacket w/ white printing. Remains a nice, bright and sharp copy. "Louise Lawler subjects the concept of art to critical analysis by re-photographing her own drawings, paintings, and sculptures and incorporating aspects of their immediate surroundings into these "copies." Viewed with a certain detachment, her demystified reproductions also reveal the contextual and situational connotations of her artworks, which recede to a certain extent into the background. Lawler also applies these methods to the work of other artists, photographing their art pieces, particularly as they are mounted in private collections. These contextualizing photographs retain fragments of their surroundings, thus clarifying how the presentation and interpretation of artwork is never free of value judgment or environmental influence. This publication offers the first retrospective overview of the artistic accomplishments of Louise Lawler over the past 20 years. Included are a number of very recent works, some of them created especially for this book."--Amazon.
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Seller's Description:
Very Good. Hardcover. 4to. Hatje Cantz, Germany. 2004. 160 pgs. Illustrated throughout. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Louise Lawler subjects the concept of art to critical analysis by re-photographing her own drawings, paintings, and sculptures and incorporating aspects of their immediate surroundings into these "copies." Viewed with a certain detachment, her demystified reproductions also reveal the contextual and situational connotations of her artworks, which recede to a certain extent into the background. Lawler also applies these methods to the work of other artists, photographing their art pieces, particularly as they are mounted in private collections. These contextualizing photographs retain fragments of their surroundings, thus clarifying how the presentation and interpretation of artwork is never free of value judgment or environmental influence. This publication offers the first retrospective overview of the artistic accomplishments of Louise Lawler over the past 20 years. Included are a number of very recent works, some of them created especially for this book. E-086; 10.3 X 8.6 X 0.8 inches; 160 pages.