That sketch up there with the boy's cap? Yes; that's the same woman. I wonder whether you could guess who she was. A singular being, is she not? The most marvellous creature, quite, that I have ever met: a wonderful elegance, exotic, far-fetched, poignant; an artificial perverse sort of grace and research in every outline and movement and arrangement of head and neck, and hands and fingers. Here are a lot of pencil sketches I made while I was preparing to paint her portrait. Yes; there's nothing but her in the whole ...
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That sketch up there with the boy's cap? Yes; that's the same woman. I wonder whether you could guess who she was. A singular being, is she not? The most marvellous creature, quite, that I have ever met: a wonderful elegance, exotic, far-fetched, poignant; an artificial perverse sort of grace and research in every outline and movement and arrangement of head and neck, and hands and fingers. Here are a lot of pencil sketches I made while I was preparing to paint her portrait. Yes; there's nothing but her in the whole sketchbook. Mere scratches, but they may give some idea of her marvellous, fantastic kind of grace. Here she is leaning over the staircase, and here sitting in the swing. Here she is walking quickly out of the room. That's her head. You see she isn't really handsome; her forehead is too big, and her nose too short. This gives no idea of her. It was altogether a question of movement. Look at the strange cheeks, hollow and rather flat; well, when she smiled she had the most marvellous dimples here. There was something exquisite and uncanny about it. Yes; I began the picture, but it was never finished. I did the husband first. I wonder who has his likeness now? Help me to move these pictures away from the wall. Thanks. This is her portrait; a huge wreck. I don't suppose you can make much of it; it is merely blocked in, and seems quite mad. You see my idea was to make her leaning against a wall--there was one hung with yellow that seemed almost brown--so as to bring out the silhouette.
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