Anne Marsh's treatise on the art of photography traces its theoretical underpinning from the early debates between the rationalists and the fantasists, through psychoanalytical interpretations, to the theatre of desire. She investigates the role of photography in ghostly performances', the masking of desire' and high camp aesthetics' - through to performance art' and the role of the photographer as a gender terrorist' - as in the work of Del LaGrace Volcano. The study concludes with notable examples of postmodern ...
Read More
Anne Marsh's treatise on the art of photography traces its theoretical underpinning from the early debates between the rationalists and the fantasists, through psychoanalytical interpretations, to the theatre of desire. She investigates the role of photography in ghostly performances', the masking of desire' and high camp aesthetics' - through to performance art' and the role of the photographer as a gender terrorist' - as in the work of Del LaGrace Volcano. The study concludes with notable examples of postmodern photography as they have occurred in the Australian context. This ground-breaking work by a leading Monash University academic will interest all students of photography and followers of recent trends in art and art theory.
Read Less
Add this copy of The Darkroom: Photography and the Theatre of Desire to cart. $24.65, like new condition, Sold by Logical Unsanity Books rated 5.0 out of 5 stars, ships from Woolloongabba, QLD, AUSTRALIA, published 2003 by Macmillan.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fine Condition in Fine jacket. 24cm x 16cm. 287 pages, illustrations, some colour. Black papered boards, silver lettering, pictorial jacket. "Anne Marsh's treatise on the art of photography traces its theoretical underpinning from the early debates between the rationalists and the fantasists, through psychoanalytical interpretations, to the theatre of desire. She investigates the role of photography in ghostly performances, the masking of desire, and high camp aesthetics-through to performance art and the role of the photographer as a gender terrorist-as in the work of Del LaGrace Volcano. The study concludes with notable examples of postmodern photography as they have occurred in the Australian context. This ground-breaking work by a leading Monash University academic will interest all students of photography and followers of recent trends in art and art theory." (publisher's blurb) Shipped Weight: .78 kilos. ISBN: 1876832789. ISBN/EAN: 9781876832780.
