This important book revisits a major figure from a now somewhat neglected generation who dominated the British art scene in the 1930s and 1940s. Focussing on the period from the mid 1930s, when Sutherland established his identity as a modern painter to the 1950s, when his influence began to wane, it portrays the types of work that gave rise to a widespread consensus amongst fellow artists and critics that Sutherland was the most exciting and compelling voice in contemporary British painting. Two particular strands of his ...
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This important book revisits a major figure from a now somewhat neglected generation who dominated the British art scene in the 1930s and 1940s. Focussing on the period from the mid 1930s, when Sutherland established his identity as a modern painter to the 1950s, when his influence began to wane, it portrays the types of work that gave rise to a widespread consensus amongst fellow artists and critics that Sutherland was the most exciting and compelling voice in contemporary British painting. Two particular strands of his imagery are discussed: the landscapes of Pembrokeshire and the South of France, before and after the Second World War; and the scenes of devastation produced for the War Artists scheme run by Sutherland's great friend Kenneth Clark. The dramatic colour and lighting and the metamorphosis of observed form in his pictures of bombed buildings, tin mines and factory interiors, struck a powerful emotional chord in such traumatic times. The book also includes sections on the early 1920s etchings, which introduced certain fundamentals of his art, and on the initial emergence of his portraiture with the creation of Somerset Maugham in 1949. There are also carefully selected works by other artists, past and present, in whom Sutherland took an interest: such as Blake, Palmer, Nash and Masson. Published to accompany the major exhibition at Dulwich Picture Gallery in June 2005, this long overdue and much requested book, (there has not been a substantial Sutherland show in London since 1982), comprises eighty oils and works on paper drawn from public and private collections throughout the UK and offers a selective interpretation of his painting rather than the usual career retrospective. The exhibition opens at Dulwich Picture Gallery on 16th June to 25th September 2005 and will travel to the Djanogly Gallery in Nottingham in the autumn.
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Add this copy of Graham Sutherland: Landscapes, War Scenes, Portraits to cart. $37.88, good condition, Sold by Anybook rated 5.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 2005 by Scala Publishers.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1050grams, ISBN: 1857594045.
Add this copy of Graham Sutherland Landscapes, War Scenes, Portraits to cart. $2,477.00, new condition, Sold by BWS Bks rated 5.0 out of 5 stars, ships from Ferndale, NY, UNITED STATES, published 2005 by Scala Publishers.
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New. 1857594045. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-FLAWLESS COPY, BRAND NEW, PRISTINE, NEVER OPENED---Corresponds to ISBN: 1857594045. Text in English. 176 pp. With 126 ills. (118 col. ). 28 x 25 cm. --with a bonus offer--
Add this copy of Graham Sutherland: Landscapes, War Scenes, Portraits to cart. $74.24, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2006 by Scala Publishers.
Add this copy of Graham Sutherland: Landscapes, War Scenes, Portraits to cart. $109.66, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2006 by Scala Publishers.
Add this copy of Graham Sutherland: Landscapes, War Scenes, Portraits to cart. $201.16, new condition, Sold by GridFreed rated 4.0 out of 5 stars, ships from North Las Vegas, NV, UNITED STATES, published 2006 by Scala Publishers.