With an Introduction by Emma Hartnoll. Initially a vivacious, outgoing person, Emily Dickinson (1830-1886) progressively withdrew into a reclusive existence. An undiscovered genius during her lifetime, only seven out of her total of 1,775 poems were published prior to her death. She had an immense breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Originally branded an eccentric, Emily Dickinson is now recognised as a major poet of great depth, startling originality and courage ...
Read More
With an Introduction by Emma Hartnoll. Initially a vivacious, outgoing person, Emily Dickinson (1830-1886) progressively withdrew into a reclusive existence. An undiscovered genius during her lifetime, only seven out of her total of 1,775 poems were published prior to her death. She had an immense breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Originally branded an eccentric, Emily Dickinson is now recognised as a major poet of great depth, startling originality and courage for as she wrote: 'Assent and you are sane; /Demure you're straightaway dangerous / And handled with a chain'.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. 1994. New edition. Paperback. During Emily's life only seven of her 1775 poems were published. This collection of her work shows her breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Once branded an eccentric Dickinson is now regarded as a major American poet. Series: Wordsworth Poetry Library. Num Pages: 224 pages, bibliography. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 197 x 129 x 12. Weight in Grams: 150......We ship daily from our Bookshop.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fair. This item is in overall acceptable condition. Covers and dust jackets are intact but may have heavy wear including creases, bends, edge wear, curled corners or minor tears as well as stickers or sticker-residue. Pages are intact but may have minor curls, bends or moderate to considerable highlighting/ writing. Binding is intact; however, spine may have heavy wear. A well-read copy overall. Please note that all items are donated goods and are in used condition. Orders shipped Monday through Friday! Your purchase helps put people to work and learn life skills to reach their full potential. Orders shipped Monday through Friday. Your purchase helps put people to work and learn life skills to reach their full potential. Thank you!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Item has stickers or notes attached to cover and/or pages that have not been removed to prevent further damage Cover/Case has some rubbing and edgewear. Access codes, CD's, slipcovers and other accessories may not be included.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. No Jacket. Size: 8vo-over 7? "-9? " tall; Trade Paperback in Very Good Condition. Introduction by Emma Hartnoll. Clean, unmarked, solid, gently used book, slight wear to spine head and heel. Emily Dickinson, 1830-1886, was an undiscovered genius during her lifetime and only seven out of her total 1, 775 poems were published prior to her death. She had an immense breasdtho f vision and passionate intensity and awe for life, love, nature, time and eternity. Originally branded an eccentric, she is now recognized as a major poet. 214 pages. Index of Poems and Index of First Lines. 5 x 7.75 inches. Wordsworth Editions Ltd, Hertfordshire, England.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
While Emily Dickinson led an outwardly quiet, uneventful life in her father Edward's house in Amherst, her mind was fixed upon verities and eternalities. She wrote almost two thousand poems, only a dozen of which were published in her lifetime, and is commonly regarded with Walt Whitman as one of the greatest American poets of the nineteenth century. In fact, in its tremendous concision, Dickinson's work is the opposite of Whitman's long breath-line in Leaves of Grass. For me, her example strongly insists on the claims of the work itself rather than the life. Her themes are the eternal ones: love, death, immortality, faith, and pain. She herself recognized poetry by feeling as if "the top of my head were taken off."
Formally, her work can present difficulties because of its unconventionality: her odd punctuation (the frequent use of the dash), capitalization, and free meters, though the poems are often three quatrains (that is, four-line stanzas), so regular in their structure.
Here is the opening couplet of one poem: "After great pain, a formal feeling comes-- / The Nerves sit ceremonious, like Tombs--." Whether physical, emotional or psychic pain, the effect is of remoteness or distance, and a sort of funereal deadness, a neural numbness. There is a sense of the mechanistic or the duty-bound: "The Feet, mechanical, go round-- / Of Ground, or Air, or Ought--." The "stiff Heart," ".A Wooden Way," and "the Hour of Lead" suggest not only the rigidity that follows pain, but also a kind of spiritlessness. And if one "outlived" this deathly period, there is "First--Chill--then Stupor--then the letting go--." That is to say, one experiences cold, torpor, then a surrender, perhaps, to feeling.
This seems to me as exact an "imaging" of the thing it describes as anything I have ever read. Certainly, the "Hour of Lead" wasn't the exclusive province of the poet; anguish and suffering are part of the human condition. In fact Dickinson takes the reader far into our common journey in poems such as "I heard a Fly buzz--when I died--" or "Because I could not stop for Death," rethinks the conventional wisdom in "Much Madness is divinest Sense," discloses her perspective in "Tell all the Truth but tell it slant--," and writes her own poetic credo in "I dwell in Possibility." Read the poems of Emily Dickinson for those rare epiphanies of possibility.