The sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on the hydro poles fan out their wings to dry them. the air smells faintly of burning. The waterless flood - a manmade plague - has ended the world. But two young women have survived: Ren, a young dancer trapped where she worked, in an upmarket sex club (the cleanest dirty girls in town); and Toby, who watches and waits from her rooftop garden. Is anyone else out there?
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The sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on the hydro poles fan out their wings to dry them. the air smells faintly of burning. The waterless flood - a manmade plague - has ended the world. But two young women have survived: Ren, a young dancer trapped where she worked, in an upmarket sex club (the cleanest dirty girls in town); and Toby, who watches and waits from her rooftop garden. Is anyone else out there?
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Thank you for offering this must read 2nd part of the Maddadam Trilogy. The distopian trilogy is carefully rendered via Atwood's exquiste mind. I love the songs and the introduction of the new characters. May the trilogy continue to be read for eons.
Ellyb
Aug 2, 2010
Up there with her best
In 'The Year of the Flood," Margaret Atwood revisits the world she built in Oryx and Crake. This time, however, we see the action through the point of view of two women with passing ties to the ridiculed 'God's Gardeners' group from the first novel. Ren and Toby, having survived the "waterless flood" by being barricaded within a sex-club and a spa, respectively, are two strong individuals who find themselves physically isolated and completely in the dark as to who else has survived. With no idea whether their friends and loved ones are alive, they must decide what course to take; stay hidden, alone, and safe, or venture out to see what can be salvaged of the world.
Far from being a novel of desperation, this narrative shift results in a much different tone from Oryx and Crake, with more hope, more tenderness, and more optimistic protagonists. There are still incredibly disturbing elements, but the novel stubbornly clings to the idea that even in the darkest hour after a catastrophe, some element of human kindness and ingenuity will remain intact.
I really enjoyed 'The Year of the Flood,' as I do most of Atwood's works; her narrative voice is rich and intelligent, and her characters are always well developed and believable.
