The need to address complex interactions between colonization, past and present violence, and audio-visual representation has never appeared more urgent. Maria Flood's study links historical omission to cinematic aesthetics, ultimately offering conclusions that inform wider thinking of the political power of film in the face of violence.
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The need to address complex interactions between colonization, past and present violence, and audio-visual representation has never appeared more urgent. Maria Flood's study links historical omission to cinematic aesthetics, ultimately offering conclusions that inform wider thinking of the political power of film in the face of violence.
Read Less
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