Edith Wharton (born Edith Newbold Jones; January 24, 1862 - August 11, 1937) was an American novelist, short story writer, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize for Literature. She was inducted into the National Women's Hall of Fame in 1996. Despite not publishing her first novel until she was forty, Wharton became an extraordinarily ...
Read More
Edith Wharton (born Edith Newbold Jones; January 24, 1862 - August 11, 1937) was an American novelist, short story writer, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize for Literature. She was inducted into the National Women's Hall of Fame in 1996. Despite not publishing her first novel until she was forty, Wharton became an extraordinarily productive writer. In addition to her 15 novels, seven novellas, and eighty-five short stories, she published poetry, books on design, travel, literary and cultural criticism, and a memoir. In 1873, Wharton wrote a short story and gave it to her mother to read. Her mother criticized the story, so Wharton decided to just write poetry. While she constantly sought her mother's approval and love, it was rare that she received either. From the start, the relationship with her mother was a troubled one. Before she was 15, she wrote Fast and Loose (1877). In her youth, she wrote about society. Her central themes came from her experiences with her parents. She was very critical of her work and wrote public reviews criticizing it. She also wrote about her own experiences with life. "Intense Love's Utterance" is a poem written about Henry Stevens. In 1901, Wharton wrote a two-act play called Man of Genius. This play was about an English man who was having an affair with his secretary. The play was rehearsed but was never produced. Another 1901 play, The Shadow of a Doubt, which also came close to being staged but fell through, was thought to be lost, until it was discovered in 2017. Its world premiere was a radio adaptation broadcast on BBC Radio 3 in 2018. She collaborated with Marie Tempest to write another play, but the two only completed four acts before Marie decided she was no longer interested in costume plays. One of her earliest literary endeavors (1902) was the translation of the play, Es Lebe das Leben ("The Joy of Living"), by Hermann Sudermann. The Joy of Living was criticized for its name because the heroine swallows poison at the end, and was a short-lived Broadway production. It was, however, a successful book. Many of Wharton's novels are characterized by subtle use of dramatic irony. Having grown up in upper-class, late-19th-century society, Wharton became one of its most astute critics, in such works as The House of Mirth and The Age of Innocence. (wikipedia.org)
Read Less
Add this copy of The House of Mirth to cart. $36.12, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2020 by Bibliotech Press.
Add this copy of The House of Mirth to cart. $43.39, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2020 by Bibliotech Press.
Add this copy of The House of Mirth to cart. $76.73, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2020 by Bibliotech Press.
Loved the outlay. Was very fascinating. Light and fun.
Jigglyman
Aug 1, 2008
Wonderful and tragic to a point
The House of Mirth is about the tragic fall from grace of a beautiful New York socialite, Lily Bart. The story chronicles her desperate search for a husband as society gradually rejects her. Edith Wharton writes a very revealing, critical study of high-class society in the Gilded Age that is fascinating in part because it is at once unfamiliar and very similar to modern-day society. Her characters are well-crafted, she writes very well, and the subject matter is very interesting, if not at some points a bit dry and superficial.
According to Aristotle, tragedy is about making "fatal choices," and it is Wharton's exploitation of this idea that makes the book falter. Lily Bart makes so many fatal choices it's hard not to choke on them. It seems like every page, she makes a choice that is obviously (to the reader) a bad idea. No woman can possibly be this daft so often. Her character is only falling from grace because Wharton so desperately wants her to. (Oh, and she never LEARNS!) The shoddy character development brings this book down to 4/5 stars.
