Redburn: His First Voyage is the fourth book by the American writer Herman Melville, first published in London in 1849. The book is semi-autobiographical and recounts the adventures of a refined youth among coarse and brutal sailors and the seedier areas of Liverpool. Melville wrote Redburn in less than ten weeks. While one scholar describes it as "arguably his funniest work", scholar F. O. Matthiessen calls it "the most moving of its author's books before Moby-Dick". Melville referred to Redburn and his next book ...
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Redburn: His First Voyage is the fourth book by the American writer Herman Melville, first published in London in 1849. The book is semi-autobiographical and recounts the adventures of a refined youth among coarse and brutal sailors and the seedier areas of Liverpool. Melville wrote Redburn in less than ten weeks. While one scholar describes it as "arguably his funniest work", scholar F. O. Matthiessen calls it "the most moving of its author's books before Moby-Dick". Melville referred to Redburn and his next book White-Jacket as "two jobs which I have done for money-being forced to it as other men are to sawing wood". It was reviewed favorably in all the influential publications, American and British, with many critics hailing it as Melville's return to his original style. The critics were divided along national lines when reviewing the scene in Launcelots Hey, the British dubbing it "improbable", the Americans "powerful". In 1884 William Clark Russell, the most popular writer of sea stories in his generation, praised the book's force and accuracy in print. He also sent Melville a personal letter where, among other items, he said "I have been reading your Redburn for the third or fourth time and have closed it more deeply impressed with the descriptive power that vitalises every page." John Masefield would later single the book out as his favorite of Melville's works. When Redburn was praised, Melville wrote in his journal, "I, the author, know [it] to be trash, & wrote it to buy some tobacco with". He later complained: "What I feel most moved to write, that is banned-it will not pay. Yet, altogether, write the other way I cannot. So the product is a final hash, and all my books are botches." (wikipedia.org)
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I decided to celebrate this past Memorial Day (2012) by revisiting a classic American novel. I settled upon Herman Melville's "Redburn: His First Voyage" (1849).
"Redburn" was Melville's fourth novel and followed upon the visionary book, "Mardi". The author readjusted his course briefly to write a realistic, semi-autobiographical novel centering upon a sea voyage. Author's frequently are poor judges of their own work; and so, Melville spoke disparagingly of "Redburn".
The novel is both a coming-of-age story and a depiction of a changing United States. In its portrayal of a naive young man losing his innocence, the book reminded me of a later Huckleberry Finn and his journey down the Mississippi River. Wellingborough Redburn's journey was of longer scope: from New York City to Liverpool, England and back on a sailing merchant vessel, the Highlander. Melville makes much of names as a sign of change and character. Young Wellingborough is part of a distinguished once-wealthy family. His uncle had been a United States Senator and his family had been influential in Revolutionary days. With his father's bankruptcy, the family and Wellingborough fall on hard times. Wellingborough is a reader, a teetotaler, and a churchgoer. Much of the force of the book derives from the rude awakening to life he receives both during his voyage and on land. The sailors quickly change the young man's name from Wellingborough to "Buttons".
Redburn tells his story in his own voice which gives the novel a degree of intimacy. But the chapter headings, such as the first, "How Wellingborough Redburn's Taste for the Sea was Born and Bred in him" all speak of the protagonist in the third person. Much of the writing in the book seems detached from the narrator as well. Thus the book also manages to convey a sense of distance. This combination of perspectives is one of many instances of studied ambiguity in this seemingly straightforward story.
Redburn is an innocent at sea, and Melville makes much of his dress, his character, and his tastes in contrast with the rough, lonely, brutal life of the American sailor in the 19th Century. Much of the book is in a bantering tone, but a great deal is also tragic. Here and in his better-known books, Melville is enigmatic.
Besides telling the story of Redburn's transformation, the novel shows a change in the United States from the genteel character of the hero's grandparents and parents to the raw, expanding nation in the decades before the Civil War. Some of the best scenes in the novel occur at land, in Redburn's wandering the streets and ports of New York City before and after his voyage. During the voyage and while in England, Melville is again thoughtful and many sided. The book portrays the possibilities of the United States with its openness to diversity, to settlement, and new ideas (as compared with much of what Redburn sees in England). It also points out the slavery, poverty, and hard laissez-faire economy (Redburn is a reader of Adam Smith's "Wealth of Nations") of the young, growing United States.
The book is lengthy but reads relatively quickly. It is organized into 62 short chapters. The narrative moves smoothly and chronologically. The book can be divided into the following sections: 1. Redburn's life before the voyage and the considerations which led him to the sea; 2. the voyage from New York City to Liverpool; 3. Redburn's six-week stay in Liverpool; 4. the return voyage to New York City which features a storm at sea and an epidemic among the steerage passengers; 5. a short concluding section about Redburn in New York following the voyage.
The book proceeds largely in short scenes with characters moving in and out. Redburn himself is the central character. But other individuals, including the lost, forbidding seaman, Jackson, Redburn's rakishly handsome and reckless young friend Harry Bolton, and the conniving Captain Riga of the Highlander receive strong portrayals. The best scenes in the book take place in Liverpool and London, in dives, docks, cheap saloons and gaming houses as Redburn receives an unforgettable exposure to life's cruelties.
In its portrayal of a changing American character and a changing United States, "Redburn" proved an appropriate choice for thinking about the United States over Memorial Day . I was pleased to have the opportunity to revisit Melville and to reread with more understanding a book I had read long ago.
