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Seller's Description:
Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
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Seller's Description:
Very Good in Very Good jacket. Book 1st edition. Hardbound in dust jacket. Minor wear to board corners, otherwise very good. [ Heavy-Please contact for overseas shipping quote ]
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Seller's Description:
William Christenberry. Near fine in near fine jacket. Many color illustrations throughout. 4to, tan cloth, d.w. (tiny crease near bottom of spine). New York: Aperture, (2010). A near fine copy--very small dent at bottom of spine, otherwise fine--in a near fine dust wrapper. Essay by Richard B. Woodward.
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Seller's Description:
New in new dust jacket. In original unopened shrinkwrap. Ship in sturdy box with bubble wrap. Sewn binding. Cloth over boards. With dust jacket. 176 p. Contains: Illustrations. Audience: General/trade.
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Seller's Description:
Like New. Size: 9x0x11; Autographed by artist, William Christenberry. 30 cm. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US. "Although best known for his large-format color photographs made with vintage Kodak Brownie cameras, William Christenberry has also consistently produced work with 35 mm Kodachrome slide film since he took up photography. William Christenberry: Kodachromes is the first publication to showcase this stunning and previously unknown body of work, spanning from 1964 to 2007, of which only a small number of images have ever been published or exhibited. As in all of Christenberry's photographs, the subject matter is the rural Deep South: the twisting back roads, open landscapes, rusted signage and ramshackle vernacular architecture found in Hale County, Alabama. Though many of the sites pictured in this rare collection are new, other subjects have grown iconic in Christenberry's oeuvre as he has returned to photograph them over the decades--the red building in the forest, Sprott Church, the Palmist Sign and the Bar-B-Q Inn, among others. The photographs in William Christenberry: Kodachromes were made with a camera that allowed for greater mobility, revealing new ways of considering Christenberry's perennial subjects and offering further insight into the working method of this venerable artist."
