Ph�do or Phaedo known to ancient readers as On The Soul, is one of the best-known dialogues of Plato's middle period, along with the Republic and the Symposium. The philosophical subject of the dialogue is the immortality of the soul. It is set in the last hours prior to the death of Socrates, and is Plato's fourth and last dialogue to detail the philosopher's final days, following Euthyphro, Apology, and Crito. In the dialogue, Socrates discusses the nature of the afterlife on his last day before being executed by ...
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Ph�do or Phaedo known to ancient readers as On The Soul, is one of the best-known dialogues of Plato's middle period, along with the Republic and the Symposium. The philosophical subject of the dialogue is the immortality of the soul. It is set in the last hours prior to the death of Socrates, and is Plato's fourth and last dialogue to detail the philosopher's final days, following Euthyphro, Apology, and Crito. In the dialogue, Socrates discusses the nature of the afterlife on his last day before being executed by drinking hemlock. Socrates has been imprisoned and sentenced to death by an Athenian jury for not believing in the gods of the state (though some scholars think it was more for his support of "philosopher kings" as opposed to democracy)[2] and for corrupting the youth of the city. The dialogue is told from the perspective of one of Socrates' students, Phaedo of Elis. Having been present at Socrates' death bed, Phaedo relates the dialogue from that day to Echecrates, a Pythagorean philosopher. By engaging in dialectic with a group of Socrates' friends, including the two Thebans, Cebes, and Simmias, Socrates explores various arguments for the soul's immortality in order to show that there is an afterlife in which the soul will dwell following death. Phaedo tells the story that following the discussion, he and the others were there to witness the death of Socrates. The scene is set in Phlius where Echecrates who, meeting Phaedo, asks for news about the last days of Socrates. Phaedo explains why a delay occurred between his trial and his death, and describes the scene in a prison at Athens on the final day, naming those present. He tells how he had visited Socrates early in the morning with the others. Socrates' wife Xanthippe was there, but was very distressed and Socrates asked that she be taken away. Socrates' relates how, bidden by a recurring dream to "make and cultivate music," he wrote a hymn and then began writing poetry based on Aesop's Fables.[3] Socrates tells Cebes to "bid him (his friend) farewell from me; say that I would have him come after me if he be a wise man" Simmias expresses confusion as to why they ought hasten to follow Socrates to death. Socrates then states ..".he, who has the spirit of philosophy, will be willing to die; but he will not take his own life." Cebes raises his doubts as to why suicide is prohibited. He asks, "Why do you say...that a man ought not to take his own life, but that the philosopher will be ready to follow one who is dying?" Socrates replies that while death is the ideal home of the soul, man, specifically the philosopher, should not commit suicide except when it becomes necessary.[4] Man ought not to kill himself because he possesses no actual ownership of himself, as he is actually the property of the gods. He says, "I too believe that the gods are our guardians, and that we men are a chattel of theirs." While the philosopher seeks always to rid himself of the body, and to focus solely on things concerning the soul, to commit suicide is prohibited as man is not sole possessor of his body. For, as stated in the Phaedo: "the philosopher more than other men frees the soul from association with the body as much as possible." Body and soul are separate, then. The philosopher frees himself from the body because the body is an impediment to the attainment of truth.
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