"Few detective writers create so vivid, inclusive and convincing a narrative as Donna Leon . . . . One of the most exquisite and subtle detective series ever." --"The Washington Post" Donna Leon's critically acclaimed, internationally bestselling Commissario Guido Brunetti series has attracted readers the world over with the beauty of its setting, the humanity of its characters, and its fearlessness in exploring politics, morality, and contemporary Italian culture. In the pages of Leon's novels, the beloved conversations ...
Read More
"Few detective writers create so vivid, inclusive and convincing a narrative as Donna Leon . . . . One of the most exquisite and subtle detective series ever." --"The Washington Post" Donna Leon's critically acclaimed, internationally bestselling Commissario Guido Brunetti series has attracted readers the world over with the beauty of its setting, the humanity of its characters, and its fearlessness in exploring politics, morality, and contemporary Italian culture. In the pages of Leon's novels, the beloved conversations of the Brunetti family have drawn on topics of art and literature, but books are at the heart of this novel in a way they never have been before. One afternoon, Commissario Guido Brunetti gets a frantic call from the director of a prestigious Venetian library. Someone has stolen pages out of several rare books. After a round of questioning, the case seems clear: the culprit must be the man who requested the volumes, an American professor from a Kansas university. The only problem--the man fled the library earlier that day, and after checking his credentials, the American professor doesn't exist. As the investigation proceeds, the suspects multiply. And when a seemingly harmless theologian, who had spent three years at the library reading the Fathers of the Church, turns up brutally murdered, Brunetti must question his expectations about what makes a man innocent, or guilty.
Read Less
Donna Leon, I think, is the Queen of Atmosphere. Not long after starting one of one of her books, I feel that I am in Venice -- for the good, bad and all. The author has many avocations and I'm so glad she is able to mingle them amongst her mysteries.
This story about rare books is a case-in-point; I spend a great deal of time in libraries and find their special collections of antiquated and rare books to be fascinating. Thus, this story really sparked my interest.
Brunetti gets involved in this case when he is called by a Venice scholarly library reporting the desecration of some rare atlases and ancient books. As Guido is clueless about the value (or why anyone would choose to harm or steal old tomes), he starts a quick study of book thefts. (Oddly enough, my library friends have been talking about the sharp rise in book thefts or damages each year.)
Don't expect any car chases or rushing around; Guido takes his time gathering information. Because Guido and Paola are consummate readers, they value the books for what they can learn from them. However, Guido is surprised to learn that some people only value books as objet d'art (items of beauty or that are interesting).
Signorina Elettra, always worthy of note, plays a very small part in this case. Books get their value from what someone is willing to pay for them, therefore it is very subjective. It is hard to use the Internet to learn much about rare books except for the prices they bring in auctions or sales.
As Brunetti and the library staff try to find the thief or thieves, a murder occurs. Before long, Brunetti figures out that the thefts and murder are related.
