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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This book is a very dark canvas, but it is precisely that darkness that makes the rays of light that shine through it all the more mystical and beautiful.
This book is a Gnostic mass in fiction form.
Contrary to the typical religious view, that this is my Father's world gone wrong, Hugo takes the position that this world is an evil place of darkness and suffering.
This is not my Fathers world at all.
It is essentially the Gnostic view. That human souls are sparks of divine light, temporarily trapped in an evil place. Those who oppress and torment the weak and the poor are simply soulless props, exercising and strengthening those sparks of divine light that are, for the moment, in their orbit.
Dea and Gwynplaine are kindred spirits who cannot be separated, but will continually find each other no matter what the odds.
B.E. Maxwell, author of The Faerie Door, a Gnostic fable for children of all ages.
(Harcourt Houghton Mifflin 2008)
