The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Lo�e Fuller, George Balanchine, and Martha Graham.
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The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Lo�e Fuller, George Balanchine, and Martha Graham.
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Add this copy of Critical Race Theory and Copyright in American Dance to cart. $87.89, new condition, Sold by Ria Christie Books rated 5.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 2013 by Palgrave MacMillan.
Add this copy of Critical Race Theory and Copyright in American Dance: to cart. $105.53, new condition, Sold by Booksplease rated 3.0 out of 5 stars, ships from Southport, MERSEYSIDE, UNITED KINGDOM, published 2013 by Palgrave MacMillan.
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