Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the ...
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Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Acad�mie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.
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Seller's Description:
Like New in Very Good jacket. A firm and square hardback with sharp corners and strong joints, complete with original dustjacket, just showing a few very minor rubs. Hence a non-text page has a small 'damaged' stamp. Despite such this book is actually in nearly new condition. Thus the contents are crisp, fresh and tight. Now offered for sale at a very sensible price.
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Seller's Description:
New. Contains: Halftones, black & white, Printed music items. Cambridge Studies in Opera . 40 b/w illus. 56 music examples. Intended for professional and scholarly audience.
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Seller's Description:
Very Good. No Dust Jacket. A Very Good copy in black hard covers lettered in gold, in a Fine dust jacket. Sound binding, little cover wear, clean/unmarked within. Four pages are creased at the top corner margin. (Not ex-library. )
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Seller's Description:
New. Contains: Halftones, black & white, Printed music items. Cambridge Studies in Opera . 40 b/w illus. 56 music examples. Intended for professional and scholarly audience.