Treatments of human communication mostly draw on cognitive and word-centred models to present it as predominantly a matter of words. This, Finnegan argues, seriously underestimates the far-reaching multi-modal qualities of human interconnecting and the senses of touch, olfaction, and, above all, audition and vision that we draw on. In an authoritative and readable account, Ruth Finnegan brings together research from linguistic and sensory anthropology, material culture, non-verbal communication, computer-mediated ...
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Treatments of human communication mostly draw on cognitive and word-centred models to present it as predominantly a matter of words. This, Finnegan argues, seriously underestimates the far-reaching multi-modal qualities of human interconnecting and the senses of touch, olfaction, and, above all, audition and vision that we draw on. In an authoritative and readable account, Ruth Finnegan brings together research from linguistic and sensory anthropology, material culture, non-verbal communication, computer-mediated communication, and, strikingly, research on animal communication, such as the remarkable gesture systems of great apes. She draws on her background in classical studies and her long anthropological experience to present illuminating examples from throughout the world, past and present. The result is to uncover an amazing array of sounds, sights, smells, gestures, looks, movements, touches, and material objects used by humans and other animals to interconnect both nearby and across space and time She goes on to first explore the extra-sensory modes of communication now being revealed in the extraordinary "new science" research and then, in an incendiary conclusion, to deny the long-prevailing story of human history by questioning whether orality really came before literacy; whether it was really through "the acquisition of language" that our prehistoric cave painting ancestors made a sudden leap into being "true humans"; and finally, astonishingly, to ask whether human communicating had its first roots not, after all, in verbal language but something else. Not to be missed, this highly original book brings a fresh perspective on, among other things, that central topic of interest today - the dawn of human history - and on what being homo sapiens really means. This revised and updated edition has additional illustrations, updated chapters, and a new concluding chapter. A provocative and controversial account that will stir worldwide debate, this book is an essential transdisciplinary overview for researchers and advanced students in language and communication, anthropology, and cultural studies.
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New. Sewn binding. Cloth over boards. 320 p. Contains: Unspecified, Illustrations, black & white, Halftones, black & white, Tables, black & white. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
Fine. Sewn binding. Cloth over boards. 320 p. Contains: Unspecified, Illustrations, black & white, Halftones, black & white, Tables, black & white. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Communicating: The Multiple Modes of Human Communication 3rd Edition by Ruth Finnegan presents a thorough and insightful examination of human communication, transcending the conventional focus on verbal language. Finnegan adeptly delves into the multifaceted aspects of communication, encompassing not only spoken words but also the nuanced realms of gestures, body language, material objects, and the contexts in which these interactions occur. Her approach highlights the intricate and layered nature of human interactions, with a particular emphasis on the significance of non-verbal elements such as facial expressions and sensory experiences. This perspective offers readers a comprehensive and dynamic understanding of communication.
Finnegan's writing style is both clear and inviting, effectively demystifying complex concepts for a broad audience. Her narrative is enriched by anecdotes and vivid descriptions, making the book as engaging as it is informative. From beginning to end, the text is infused with a depth of material and a keen analytical perspective, showcasing Finnegan's scholarly acumen and intellectual diligence. Her reflective and inquisitive tone invites readers into a deep exploration of communication's diverse dimensions. The book's use of diverse examples, ranging from 20th-century England to 1960s Sierra Leone, underscores Finnegan's commitment to examining communication across various cultural contexts. This approach, coupled with references to semiotic and structuralist theories, adds theoretical depth to her exploration.
Rather than diving into complex definitions from the outset, Finnegan opts for an experiential approach to communication. This strategy enhances the book's accessibility and appeal, making it a compelling read for a wide audience. Communicating serves as a foundational text for those deeply interested in the expansive study of human communication. It caters to readers seeking a nuanced and reflective understanding of the term 'communication' and its multifaceted nature, especially in relation to broader social and cultural contexts.
Ruth Finnegan's Communicating stands out as a comprehensive guide to understanding the diverse and complex facets of human communication. Her skillful blending of high-quality writing with in-depth discussion captures the functional value of communication in society, stimulating intellectual curiosity and providing valuable insights into the intricate interactions that define our social fabric.
