A survey of the psychologically, emotionally and often sexually charged work of Louise Bourgeois Celebrated for her singular contributions to 20th-century sculpture, drawing, painting, printmaking, installation and writing, French-born American artist Louise Bourgeois' (1911-2010) explorations of the human condition originated from her own lived experience. "My goal is to relive a past emotion," Bourgeois explained. "My art is an exorcism." Psychologically, emotionally and often sexually charged, Bourgeois' works ...
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A survey of the psychologically, emotionally and often sexually charged work of Louise Bourgeois Celebrated for her singular contributions to 20th-century sculpture, drawing, painting, printmaking, installation and writing, French-born American artist Louise Bourgeois' (1911-2010) explorations of the human condition originated from her own lived experience. "My goal is to relive a past emotion," Bourgeois explained. "My art is an exorcism." Psychologically, emotionally and often sexually charged, Bourgeois' works intermingle the abstract and corporeal, the voluptuous and the distressing, to striking effect. Louise Bourgeois: To Unravel a Torment accompanies the first exhibition of the artist's work at Glenstone Museum, and features more than 30 major works drawn from the museum's collection. From her early wooden Personages to her large hanging sculptures, from suites of drawings and prints to textile works and her immersive Cells, To Unravel a Torment surveys Bourgeois' career through selected examples from her enormous body of work. Bourgeois was also a prolific writer, matching her sculptural language with reams of psychoanalytic musings on repression, symbolism and material. To Unravel a Torment also brings together never-before-published diary entries by the artist, annotated by Bourgeois scholar Philip Larratt-Smith, a contribution by art historian Briony Fer and an introduction by Emily Wei Rales, founder and director of Glenstone Museum.
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Seller's Description:
Fine. Sewn binding. Cloth over boards. 208 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
New. Sewn binding. Cloth over boards. 208 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Fair. HARDCOVER Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
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VG (scuffs to cloth boards) Blue cloth boards with white inset and white lettering. 211 pages: illustrations (chiefly color), portraits. The trailblazing work of French-born American artist Louise Bourgeois (1911-2010) will be the subject of a five-decade survey exhibition featuring more than 30 works, all from Glenstone's collection, including a recently acquired master piece that was realized at a pivotal moment in her career: the 1974 installation "The Destruction of the Father." On view in the exhibition will be a selection of early wooden "Personage" sculptures; pieces in bronze, marble, plaster, and rubber; suites of drawings and prints; textile-based works; and room-like installations that she called "Cells." In these works Bourgeois forged a unique vocabulary, powerfully and idiosyncratically expressing psychic states and emotions such as anger, fear, and loneliness, and often evoking a sense of disquiet about the strangeness of the human body. In 1974, Bourgeois made a precursor to these Cells with her first installation, The Destruction of the Father, a theatrically-lit diorama depicting primal violence served up as a commentary on domineering father figures and the imaginary revenge they inspire. Exhibition: Glenstone Museum, Potomac, USA.
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Seller's Description:
New. Sewn binding. Cloth over boards. 208 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.