First published in 1921 as a work of "rhythmical typography," this collection is Belgian author van Ostaijen's most important work. It is one of the key works of the Dadaist movement and is primarily about the German Occupation of Antwerp during the First World War. But it is also a love-song to the modern city, and a declaration of war on post-191
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First published in 1921 as a work of "rhythmical typography," this collection is Belgian author van Ostaijen's most important work. It is one of the key works of the Dadaist movement and is primarily about the German Occupation of Antwerp during the First World War. But it is also a love-song to the modern city, and a declaration of war on post-191
Read Less