In 1913, the year that the Armory Show hit Chicago, an anonymous Chicago artist gathered every newspaper clipping from the infamous Art Institute exhibition into an extraordinary handmade document. Freak Art Scrapbook presents this folk ledger documenting the key presentation of early twentieth-century American and European modernist art, a collection of witty and vitriolic snippets from the popular press, much of it dripping with satire as an entire city took to lampooning modern art. Lovingly reproduced in all its bilious ...
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In 1913, the year that the Armory Show hit Chicago, an anonymous Chicago artist gathered every newspaper clipping from the infamous Art Institute exhibition into an extraordinary handmade document. Freak Art Scrapbook presents this folk ledger documenting the key presentation of early twentieth-century American and European modernist art, a collection of witty and vitriolic snippets from the popular press, much of it dripping with satire as an entire city took to lampooning modern art. Lovingly reproduced in all its bilious, acidic yellow, sporting pre-jazz cartoons that snicker at Marcel Duchamp's iconic "Nude Descending a Staircase," the scrapbook is a complex, multilayered artifact, not only a register of the Midwestern response to modernism, but also a fascinating glimpse of the central arguments about populism and the vanguard of art.
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Seller's Description:
Jumbo-sized. Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD.
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Seller's Description:
Fair. JUMBO. Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.
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Seller's Description:
As New. Elephant Folio-over 15-23" tall Produced on the occasion of the 100th anniversary of the Armory Show of 1913 at the Art Institute of Chicago. One of a limited edition of 500 copies. Designed by one of Chicago's premier poster printers, Sonnenzimmer. Reproductions of period newspaper articles commenting on the controversial exhibition. Publisher's promotional sheet laid in.
