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Seller's Description:
Like New in Very Good+ jacket. Size: 11x8x1; A short tear to dustjacket. With Audley Dean Nicols artwork to front, 4to. 134pp. Index, bibliography, artist bios. 105 figures in color plates. In 2010, EPMA presented the exhibition Into the Desert Light: Early El Paso Art 1850-1960, which featured nearly one-hundred artworks from the museum's collection alongside loans from regional collectors. In conjunction with the exhibition, the museum published a fully-illustrated exhibition catalog.
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Seller's Description:
Fine in VG jacket. A large item: Priority and non-U.S. shipping may require extra fees: please inquire. Exhibition catalogue. Hardcover in dark brown cloth with silver stamped titles front and spine, in tan-grey jacket with Audley Dean Nicols artwork to front, 4to. 134pp. Index, bibliography, artist bios. 105 figures in color plates, other figures in introduction. Bibliography with introduction. Book is as new: clean, tight, square and unmarked with very bright plates. Jacket has light moderate wear with surface loss and short internally-taped nicks at corners and spine ends; central wraps clean and bright with beautiful front illustration. Jacket in Brodart.
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Seller's Description:
New. 0978538331. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--134 pp.; 127 illus. --with a bonus offer--
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Seller's Description:
VG (tear in top right corner of front cover, otherwise book is in unread condition) Full color illustrated wraps / 144 pp / color illustrations throughout. "The El Paso Museum of Art is honored to bring to you Renoir to Remington, the first comprehensive art museum investigation of the impact of French Impressionism on the direction and early evolution of art of the American West, and in particular, of the Southwest. The exhibition sets the stage for a much brouder discussion of Impressionism, one that reflects on the following topics: the abandonment of academic painting in the studio in favor of painting en plein air; the capturing of single-sitting impressions of local subjects, fragments of life, and fleeting moments; painting the beauty of compressed spaces in place of vast panoramic landscapes; and the critical importance of catching the positions of natural light and freshness of color in preference to something romantic or sublime."-from director's foreward.