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Seller's Description:
Very Good. Size: 12x12x3; Hammer Publishing Inc.; New York, 1983. Hardcover. Signed and inscribed by artist, G H Rothe, directly on half title page. A Very Good, maroon cloth binding with color paper illustration on front board and gilt lettering on spine, binding sturdy and intact, mild scattered foxing top text block edge, few small scuff and smudge marks to text block edges, bit of age toning to pages, in a Very Good, some handling/scuff marks to panels, mild edge/corner wear, bit of sunning to panels/flaps and verso, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 271pp., biography, indexed, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.
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Seller's Description:
Very Good. 1983. Hardcover. Cloth, dj. Slight shelf-wear. Dust jacket scuffed, torn in one spot on spine. Else a clean, brightly illustrated copy. Very Good.
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Seller's Description:
As New. 0961157003. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--271 pages; illustrated with some color as well as black and white images. [Catalogue Raisonne, Catalog Raisonné, Complete Works, Life and Work, Raisonnee]--with a bonus offer---May be EITHER: out of print (OOP) and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; (inquire for details)
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
G.H.Rothe has developed an unearthly skill with the difficult process of printmaking called mezzotint. Using this method, an artist textures a plate with a steel rocker that leaves an impression on the plate that enables it to hold a deep saturation of ink. In order to get the light passages, she must skillfully burnish areas of the plate to reflect light. Working in reverse, she developes her images with both subtle and bold lines. A real treat to behold!
