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Seller's Description:
Near Fine in Near Fine jacket. Book 54 pages 26 tritone & four-color plates. Some wear to the corners and edge of the dustjacket now protected with a Mylar cover. First Edition of 3, 000 copies.
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Seller's Description:
Fine in Near Fine jacket. First edition, first printing. Hardcover. Fine navy blue cloth, with title blind-stamped on front cover and spine, with photographically illustrated dust jacket. Photographs by Adam Fuss. Story by Neville Wakefield. 54 pp. (with gatefolds) with 26 tritone and four-color plates. 15 x 11 inches. This first edition was limited to 3000 hardbound copies. Fine in Near Fine dust jacket (abrasions and 1/8-inch closed tears to the extremities, else Fine). From the publisher: "A nineteenth-century child's dress is carefully laid out for our viewing. Perhaps, because we are aware that it is a part of lost time, our thoughts go to its missing inhabitant-an ethereal presence, intricate to the weave of the fabric before us. And then there are the birds, scattering in a grey photographic dusk, soundless. Now, the mirrored surfaces of the daguerreotypes flicker before us, never completely giving up their secrets. In this body of work the artist essays loss and its attendant ghosts."
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Seller's Description:
As New in As New jacket. First edition, first printing. Signed, dated 2002 (the year of publication) and inscribed to an important figure in contemporary photography in blue marker recto the rear free endpaper by Fuss. Hardcover. Fine navy blue cloth, with title blind-stamped on front cover and spine, with photographically illustrated dust jacket. Photographs by Adam Fuss. Story by Neville Wakefield. 54 pp. (with gatefolds) with 26 tritone and four-color plates. 15 x 11 inches. This first edition was limited to 3000 hardbound copies. As New in As New dust jacket. From the publisher: "A nineteenth-century child's dress is carefully laid out for our viewing. Perhaps, because we are aware that it is a part of lost time, our thoughts go to its missing inhabitant-an ethereal presence, intricate to the weave of the fabric before us. And then there are the birds, scattering in a grey photographic dusk, soundless. Now, the mirrored surfaces of the daguerreotypes flicker before us, never completely giving up their secrets. In this body of work the artist essays loss and its attendant ghosts." Signed by Author.