Through her use of color and assemblage, Jessica Stockholder challenges familiar generic boundaries between painting and sculpture, while de-familiarizing the experience of the exhibition space--not to mention giving the impression of a K-Mart store that's been bulldozed by a group of feminist abstract expressionists. In 1988, Stockholder created the self-contained assemblage Kissing the Wall No. 2 an old-fashion projector screen wrapped in newspaper and plaster that stands like a bad child facing a florescent lamp ...
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Through her use of color and assemblage, Jessica Stockholder challenges familiar generic boundaries between painting and sculpture, while de-familiarizing the experience of the exhibition space--not to mention giving the impression of a K-Mart store that's been bulldozed by a group of feminist abstract expressionists. In 1988, Stockholder created the self-contained assemblage Kissing the Wall No. 2 an old-fashion projector screen wrapped in newspaper and plaster that stands like a bad child facing a florescent lamp secured to the wall. This seminal work, from which this exhibition and catalogue take their name, uses the gallery wall as a screen kissed by various objects in what the artist calls "an emotionally charged event." This work, in which found objects become actors in the drama of space and color, is exemplary of the many objects gathered together for this retrospective look at Stockholder's self-contained assemblages since 1988. Includes an interview with the artist, scholarly essays, an annotated chronology and a detailed exhibition and publication history.
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Publisher:
Marquand Books/Blaffer Gallery/Weatherspoon Art Museum
Published:
2004
Language:
English
Alibris ID:
14893476837
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Seller's Description:
Good. 2004. Cloth. 4to. 95 pp. Profusely illustrated. Mild shelf wear to boards. Fragment of dust jacket pasted to front pastedown. Ex-Library with a few markings. Altogether a copy in Good condition. (Subject: Art & Graphic Design. )
Publisher:
Marquand Books/Blaffer Gallery/Weatherspoon Art Museum
Published:
2004
Language:
English
Alibris ID:
14763149029
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Seller's Description:
Near Fine in Near Fine jacket. Signed by the Artist. 96 pages 75 illustrations in color. Hardcover. Texts in English. Minimal shelfwear to the edges of the jacket. Signed and dated by the artist in black on the title page. No other internal markings. Binding is tight, pageblock square, and edges and corners of boards are sharp. Edited by Nancy Doll and Terrie Sultan. Additional essays by Elspeth Carruthers and Miwon Kwon. Published on the occasion of the exhibition from the Blaffer Gallery, The Art Museum of the University of Houston, Houston TX September 18-November 21, 2004 and the Weatherspoon Art Museum, The University of North Carolina at Greensboro, Greensboro NC February 13-May 8, 2005. Artist's acknowledgments, annotated chronology, selected exhibitions and publications and index.
Publisher:
Marquand Books/Blaffer Gallery/Weatherspoon Art Museum
Published:
2004
Language:
English
Alibris ID:
15791240710
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Seller's Description:
New. 0941193225. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--96 pp. With 78 col. Ills. 30 x 24 cm. --with a bonus offer--
Publisher:
Marquand Books/Blaffer Gallery/Weatherspoon Art Museum
Published:
2004
Language:
English
Alibris ID:
18081410141
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Publisher:
Marquand Books/Blaffer Gallery/Weatherspoon Art Museum
Published:
2004
Language:
English
Alibris ID:
18072984617
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!