Add this copy of Georg Trakl: a Profile to cart. $17.99, fair condition, Sold by ThriftBooks-Baltimore rated 5.0 out of 5 stars, ships from Halethorpe, MD, UNITED STATES, published 1983 by Logbridge-Rhodes.
Add this copy of Georg Trakl: a Profile to cart. $18.01, very good condition, Sold by HPB-Emerald rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1983 by Logbridge-Rhodes.
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Add this copy of Georg Trakl: a Profile to cart. $23.00, very good condition, Sold by Satellite Books rated 5.0 out of 5 stars, ships from Burlington, VT, UNITED STATES, published 1983 by Logbridge-Rhodes.
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Very Good. Size: 5x0x7; Softcover. Very Good condition. Free of any markings and no writings inside. Clear Text. Minor shelf-wear. Foxing on edges. Sunning on cover. For any additional information or pictures, please inquire.
Add this copy of Georg Trakl: a Profile to cart. $25.00, like new condition, Sold by Paradox Books USA rated 5.0 out of 5 stars, ships from FORT COLLINS, CO, UNITED STATES, published 1983 by Logbridge-Rhodes.
Add this copy of Georg Trakl: a Profile to cart. $48.14, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1983 by Logbridge-Rhodes.
Add this copy of Georg Trakl: a Profile to cart. $42.00, very good condition, Sold by ZENO'S rated 3.0 out of 5 stars, ships from San Francisco, CA, UNITED STATES, published 1983 by Logbridge-Rhodes.
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No Jacket. Durango. 1983. Logbridge-Rhodes. 1st American Edition. Very Good in Wrappers. 0937406279. Translated from the German by Christopher Middleton. Edited & With An Introduction by Frank Graziano. 128 pages. paperback. keywords: Europe Germany Literature Poetry Translated World Literature. DESCRIPTION-From the introduction-‘And one always is thrown back upon words or, better expressed, upon terrible helplessness. '-Trakl. Harold Bloom has reminded us of the etymological relationship between ‘meaning' and ‘moaning'; ‘a poem's meaning, ' he argued, ‘is a poem's complaint. ' ‘Complaint, ' however, misses the mark when dealing with a poem by Georg Trakl; it suits only poets whose work gives priority to what a word says over what a word is, to the chatter of signification over the fullness of diction not dependent primarily upon meaning. Anne Sexton complains, Georg Trakl does nothing short of moan. Meticulous listeners know that it is precisely a fundamental lack, a nucleus of absence often signalled by the break in the tone of a moaner's voice, that endows a moan with emotional impact, with meaning. When the bottom falls out of a voice we listen, we attend quickly to what-is-missing. Kojeve has quite deftly defined desire as the presence of an absence; moans (be they voiced or poetic) are the intonation of that presence. We are enticed by the beance of moans and thus engage in the plea their longing wagers, in their desire-as Hegel would have it-to make their desire recognized. The moaner, like the analysand, like Trakl, enjoys a degree of relief and gratification merely by making his private gloom public, by objectifying the antithesis of his lack and drawing the listener inside it. Any moan, until it runs out of breath, grants reprieve from a painful silence, ‘The silence of decayed crosses on the hill. ' The moans most meticulously formalized into poems, ironically, seem almost to breathe back into their own hollows-to engender their own inspiration and sustenance-and thus long survive the author they failed. One can devour a doughnut, Osip Mandelstam once said out of the side of his mouth, but the hole will remain. Trakl criticism has devoured the doughnut. Georg Trakl was a poetic genius precisely because he was insane enough to unwittingly author texts too elusive to accommodate systematic exegeses or compact formulae, texts that, more than anything, attempt to rectify the absence that bore them and that therefore are best defined, like doughnuts, by what they lack. inventory #25515.
