(Amadeus). Dietrich Fischer-Dieskau, one of today's great interpreters of vocal music, examines Schumann's life in relation to his entire vocal oeuvre. The songs, his only opera, Genoveva, his secular oratorios, the Scenes from Goethe's Faust, Manfred, and the Mass and Requiem are all given careful consideration, with suggestions for interpretation. HARDCOVER.
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(Amadeus). Dietrich Fischer-Dieskau, one of today's great interpreters of vocal music, examines Schumann's life in relation to his entire vocal oeuvre. The songs, his only opera, Genoveva, his secular oratorios, the Scenes from Goethe's Faust, Manfred, and the Mass and Requiem are all given careful consideration, with suggestions for interpretation. HARDCOVER.
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Seller's Description:
Very Good+ in Very Good+ jacket. Black cloth boards in dust jacket, oblong quarto, 231pp., illustrated in b&w. Book has wear to spine ends and corners, binding tight, text clean and unmarked. DJ has rubbing and mild edgewear, toning, now in archival mylar wrap.
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Seller's Description:
Good+/Good+ (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. ) Black cloth boards with silver spine lettering; bw illustrated dj, mylar cover; end papers have bw music notations; 231 pp; bw illustrations. Dietrich Fischer-Dieskau, one of today's great interpreters of vocal music, examines Schumann's life in relation to his entire vocal oeuvre. The songs, his only opera, Genoveva, his secular oratorios, the Scenes from Goethe's Faust, Manfred, and the Mass and Requiem are all given careful consideration, with suggestions for interpretation. Includes bibliographical references (pages 219-222).
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Seller's Description:
Good+ (DJ is edgeworn with scuffing and smudging and a retail sticker on the rear and on flap; boards are lightly edgeworn with light smudges; interior is clean; binding is solid. ) Bw illustrated DJ with white lettering; black cloth boards with silver spine lettering; end papers have bw music notations; 231 pp; bw illustrations. Dietrich Fischer-Dieskau, one of today's great interpreters of vocal music, examines Schumann's life in relation to his entire vocal oeuvre. The songs, his only opera, Genoveva, his secular oratorios, the Scenes from Goethe's Faust, Manfred, and the Mass and Requiem are all given careful consideration, with suggestions for interpretation. Includes bibliographical references (pages 219-222).
