Amir Khusraw Dihlawi (1253-1325) was one of the most famous Mughal poets of the Indian subcontinent and the self-styled "Parrot of India." His "pearls" of poetry are sumptuously seen here in his Khamsa, one of the most admired texts in the Islamic world. This magnificent copy marks the culmination of the development of the deluxe Mughal manuscript in the 1590s. The writing of the Walters Khamsa fell to the most highly esteemed calligrapher of the day, Muhammad Jusayn al-Kashmiri, then at the zenith of his career. The Khamsa ...
Read More
Amir Khusraw Dihlawi (1253-1325) was one of the most famous Mughal poets of the Indian subcontinent and the self-styled "Parrot of India." His "pearls" of poetry are sumptuously seen here in his Khamsa, one of the most admired texts in the Islamic world. This magnificent copy marks the culmination of the development of the deluxe Mughal manuscript in the 1590s. The writing of the Walters Khamsa fell to the most highly esteemed calligrapher of the day, Muhammad Jusayn al-Kashmiri, then at the zenith of his career. The Khamsa must have been understood at several different levels at the Mughal court. For some, it was a stellar work of literature. Others undoubtedly saw the manuscript as a repository of visual art, captivated by the sophistication of the calligraphy and the brilliance of the paintings. Still others found this book a bibliographic gem, a precious object to hold and behold.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
VG (scuffs, scratches to wraps; edge-wear. rubbing to spine ends. price sticker on back wrap) Color-illustrated wraps with blue and black lettering. 176 pp. Color illustrations. Amir Khusraw Dihlawi (1253-1325) was one of the most famous Mughal poets of the Indian subcontinent and the self-styled Parrot of India. His Pearls of poetry are seen here in his Khamsa, one of the most admired texts in the Islamic world. This copy marks the culmination of the development of the deluxe Mughal manuscript in the 1590s. The writing of the Walters Khamsa fell to the most highly esteemed calligrapher of the day, Muhammad Jusayn al-Kashmiri, then at the zenith of his career. The Khamsa must have been understood at several different levels at the Mughal court. For some, it was a stellar work of literature. Others undoubtedly saw the manuscript as a repository of visual art, captivated by the sophistication of the calligraphy and the brilliance of the paintings. Still others found this book a bibliographic gem, a precious object to hold and behold.
