Ham On Rye (Main - Canons Imprint)

Growing Up Chinaski

I have been returning to the work of Charles Bukowski (1920 -- 1994) after reading his novel "Factotum" and watching the movie based upon it. Bukowski's novel "Ham on Rye" (1982) is a coming-of age novel in that it tells the story of Bukowski's protagonist, Henry Chinaski, from his birth to his young manhood, ending with the attack on Pearl Harbor. ("Factotum", written in 1978 covers the next period of Chinaski's life, after he has been rejected for the draft and wanders from city to city in search of work.) Chinaski is based loosely on Bukowski's own life; but "Ham on Rye" and Bukowski's other novels are, after all, works of fiction and should be read as such.

The scene of "Ham on Rye" is Los Angeles during the Great Depression, particularly the lower middle-class homes in which Chinaski grows up, as families struggle to survive and to escape from poverty. Bukowski is at his best in describing dingy homes, streets, schools, and desperate people.

But "Ham on Rye" is a coming-of-age book told with irony and twists. It seemingly mocks the story of self-discovery and self-awakening common to these distinctively American books, but in the end I think it follows the pattern of a coming-of-age story in spite of itself. Most American coming-of-age books recount the life of a young person and end when that person comes to some crisis which he meets and, thus, attains a degree of understanding of himself which he carries through life. Bukowski's book tells the story of an unhappy childhood, as Chinaski is subjected to an overbearing father and frequent beatings. In addition, as an early adolescent, Chinaski develops a terrible case of acne which exacerbates his tendency to aloneness as well as his anger and rebeliousness. After graduating from high school, Chinaski loses a menial job, enrolls in a Junior College, and begins to drink heavily. He is well on the way to a life of alcoholism, fighting, wandering, and gambling that is detailed in chronologically later novels of Chinaski's life, such as "Factotum" or "Women".

Yet for all its rawness and Chinaski's sense of failure and purposelessness, the book conveys a sense of promise. The book shows a young Chinaski forming the desire to be a writer, and beginning to work at his craft and respond to his experiences in a manner that, years later, would result in "Ham on Rye" and in Bukowski's other works of fiction and poetry. Some of the best moments in "Ham on Rye" show the adolescent Chinaski sitting alone in the Los Angeles Public Library and ultimately discovering authors, including D.H. Lawrence, Upton Sinclair, and Sinclair Lewis, who speak to him. As had many before him, Chinaski learns that projecting oneself into artistic creation offers a form of release from the difficulties of everyday life. Chinaski writes: "Words weren't dull, words were things that could make your mind hum. If you read them and let yourself feel the magic, you could live without pain, with hope, no matter what happened to you." (p. 152) These words reflect the theme of "Ham on Rye" and, I think, of Bukowski's work as a whole.

Similarly while suffering from his acute acne, Chinaski develops a character a WW I pilot named Baron Von Himmlen, and writes stories of his imagined adventures. Chinaski writes: "it made me feel good to write about the Baron. A man needed somebody. There wasn't anybody around so you had to make up somebody, make him up to be like a man should be". (p. 168)

"Ham and Rye" is the story of how a young man found himself in adulthood leading a life of alcoholism, poverty, and loneliness, with no ambition and seemingly few prospects. The book is full of adolescent sexual frustration, dysfunctional families, rawness, vulgarity, and failure. It also includes some funny scenes. The story is told in a sharp, crude, no-nonsense style. But together with all the outward failure and the shocking scenes, we see a young Chinaski in the process of attaining his dream and gaining victory over himself after all. In spite of the dead-end vicissitudes of his life, Henry Chinaski perseveres and gradually brings his experiences alive and learns to make something worthwhile of his existence. He learns to reflect upon himself and his life and to describe them without cant or mercy. Henry Chinaski becomes a writer.

Robin Friedman

A feel-good story on child-like adolescence and the transcendence into adulthood. Possibly one of Bukowski's best qualities as a writer (and maybe a person) is his ability to be blatantly honest in the face of disaster to show the true humor we endure in even our worst hour. Ham On Rye is one of the only Bukowski books I would consider reading again; I just can't get enough of little Chinaski and his adventures in the midst of America's Great Depression. Through the working class's struggle to some how move on, Chinaski struggles with them, gritting his teeth, telling us of the old men who prey on broken dreams, the women too pretty to ever touch and the poor lost souls that cling no matter how hard Chinaski might try to escape their bleeding faces. I've never actually had to actually close what I was reading and turn my head from laughing so hard and actually cry or gape in horror at pages from the same book. While some of the stories in the book may shock, seem abhorrent or bring tears to your eyes he still finds a way to be honest enough for you to laugh with him too, and in that find Chinaski to be endearing enough to make you wish you could just sit down and buy the man a drink sometime.